Avtorska pravica v glasbi

diplomsko delo

Metka Malek (Author), Martina Repas (Mentor)

Abstract

Diplomska naloga obravnava aktualno problematiko avtorskih pravic v glasbi. Uvodoma je predstavljena predvsem problematika fotokopiranja notnega gradiva ter stanje v amaterskih pihalnih orkestrih. V teoretičnem delu nas seznanja s temeljnimi glasbenimi pojmi, z avtorskim pravom in znotraj njega z osnovnimi prvinami kot so avtorsko delo, avtor, avtorske pravice ter avtorskim sorodne pravice. Avtorica skuša tematiko čim bolj navezati na glasbeno področje in s tem seznaniti pravnike z glasbenim svetom, prav tako pa tudi glasbenike s pravom in njihovimi pravicami ter dolžnostmi, saj se zaveda, da največ problemov tiči v nepoznavanju obeh področij. Diplomsko delo se dotakne tudi problematike slovenskih kulturnih društev, ki jim instituti avtorskega prava velikokrat povzročajo preglavice. V empiričnem delu je predstavljena analiza raziskave, ki je bila izvedena med glasbeniki. V raziskavi se je ugotovilo, koliko so glasbeniki dejansko seznanjeni z instituti avtorskega prava in kakšno pomembnost pripisujejo določenim pravicam. Iz rezultatov se da sklepati, da je za večino kršitev avtorskih pravic v glasbi krivo nepoznavanje prava.

Keywords

avtorsko pravo;avtorske pravice;pravice izvajalcev;reproduciranje;glasba;diplomska delo;

Data

Language:	Slovenian
Year of publishing:	2011
Source:	Maribor
Typology:	2.11 - Undergraduate Thesis
Organization:	UM PF - Faculty of Law
Publisher:	[M. Malek]
UDC:	34(043.2)
COBISS:	4205355
Views:	3868
Downloads:	550
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	COPYRIGHT IN MUSIC
Secondary abstract:	The diploma thesis deals with the topical issue of copyright in music. In the beginning, the issue of photocopying music notes is discussed as well as the situation in amateur wind orchestras. In the theoretical part, we get acquainted with the basic musical concepts, copyright law and within law itself with the basic elements such as the author's intellectual work, the author, copyright and copyright-related rights. The author tries to connect the topic as much as possible to the field of music, and thus acquaint lawyers with the music world, as well as acquaint musicians with law and their rights and responsibilities, because she recognizes that most problems lie in the ignorance of both fields. The thesis also confronts the issue of Slovene cultural associations, while institutes of copyright law a lot of times just cause difficulties for them. The empirical part presents a research analysis, which was carried out among musicians. The aim of the research was to find out to what extent musicians are familiarised with the institutes of copyright law and what importance they attribute to certain rights. We may conclude from the results that for the majority of copyright infringement in music we can blame ignorance of law.
Secondary keywords:	copyright law;copyright;rights of performers;reproduction;music;
URN:	URN:SI:UM:
Type (COBISS):	Undergraduate thesis
Thesis comment:	Univ. v Mariboru, Pravna fakulteta
Pages:	72 f.
Keywords (UDC):	social sciences;družbene vede;law;jurisprudence;pravo;pravoznanstvo;
ID:	1013924