Participativnost in sodobna neodvisna filmska produkcija v Sloveniji

diplomsko delo univerzitetnega študijskega programa

Matevž Pucer (Author), Melita Zajc (Mentor)

Abstract

V dobrem stoletju svojega obstoja je dokumentarni film doživel radikalne spremembe tako v svoji reprezentaciji kot v samem izgledu. Dandanes je dokumentarizem eno glavnih orodij za razumevanje globalnih kontekstov na nivoju širše javnosti. Tudi v Sloveniji je dokumentarna produkcija, predvsem neodvisna, v zelo hitrem razvoju, krog ustvarjalcev in tudi občinstva dokumentarnih filmov pa je širši kot kdajkoli prej. V diplomskem delu se, po pregledu trenutnega stanja neodvisne dokumentarne produkcije v Sloveniji, poglobimo v različne teorije dokumentarne reprezentacije. Nato pa preko pogovora z režiserko Anjo Medved in analizo njenih filmov skušamo raziskati, kakšne so značilnosti sodobnih dokumentarnih vsebin, v katero smer pelje njihov razvoj ter kakšni so cilji, ki si jih njihovi režiserji zastavljajo.

Keywords

participativnost;dokumentarni filmi;neodvisni filmi;Anja Medved;

Data

Language:	Slovenian
Year of publishing:	2011
Source:	Maribor
Typology:	2.11 - Undergraduate Thesis
Organization:	UM FERI - Faculty of Electrical Engineering and Computer Science
Publisher:	[M. Pucer]
UDC:	791.6(497.4)(043.2)
COBISS:	15401750
Views:	10553
Downloads:	161
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Participancy and the contemporary in independent film production in Slovenia
Secondary abstract:	In more than one hundred years of its history, the documentary film was marked by radical changes in representational and visual meanings. Nowadays, the main efforts of documentarism are focused toward the understanding of global contexts on a large public scale. The independent documentary in Slovenia is developing extremely fast. The consequences are fast growing production teams and audiences. We begin the following thesis with a short overview on documentary tradition and a structural research on some documentary theories. The core part is based on the director Anja Medved, starting with an interview and followed by an analysis of four of her films. The goal is to find some specifics of the contemporary documentary film and understand the meanings which today's directors impose on documentarism.
Secondary keywords:	participancy;documentary film;indipendent film;
URN:	URN:SI:UM:
Type (COBISS):	Bachelor thesis/paper
Thesis comment:	Univ. v Mariboru, Fak. za elektrotehniko, računalništvo in informatiko, Medijske komunikacije
Pages:	VI, 37 f.
Keywords (UDC):	the arts;recreation;entertainment;sport;umetnost;razvedrilo;zabava;šport;recreation;entertainment;games;sport;razvedrilo;zabava;igre;šport;cinema;films (motion pictures);kinematografija;filmi;film as industry;film kot industrija;
ID:	1015818