Jožica Čeh Steger (Author)

Abstract

Novejše raziskave potrjujejo, da je začetek slovenske ekspresionistične kratke proze sovpadel z začetkom prve svetovne vojne, ko je v reviji Dom in svet ob Cankarjevih "podobah iz sanj" začel objavljati distorzične psihološke črtice z etično obsodbo vojne tudi mladi rod pisateljev (France Bevk, Stanko Majcen, Ivan Dornik, Narte Velikonja idr.). Ob raznovrstnosti stilnih postopkov se razprava osredinja na model temnih sanj v Cankarjevih simbolno-alegoričnih in metaforičnih "podobah" ter na Bevkovo vojno črtico, za katero so značilni parabolični postopki, pisateljev vstop v ekspresionistično stilno paradigmo pa je potekel ob disharmoniji zvoka, grotesknih podobah, barvni abstrakciji in retoričnem govoru.

Keywords

ekspresionizem;kratka proza;stil;Cankar, Ivan;Bevk, France;ne zaključna dela;

Data

Language: Slovenian
Year of publishing:
Typology: 1.01 - Original Scientific Article
Organization: UM FF - Faculty of Arts
UDC: 821.163.6.09
COBISS: 17113864 Link will open in a new window
ISSN: 1855-6302
Parent publication: Slavia Centralis
Views: 1424
Downloads: 182
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Other data

Secondary language: English
Secondary title: Early Slovene expressionist short narrative prose and its stylistic features
Secondary abstract: Recent studies have shown that the beginnings of Slovene expressionist short prose overlap with the beginning of the First World War, when alongside Cankar's "podobe iz sanj (images from dreams)", a younger generation of writers (France Bevk, Stanko Majcen, Ivan Dornik, Narte Velikonja, etc.) began publishing distorted psychological short stories in the Journal Dom in svet (Home and World) containing ethical judgments of war. The present contribution focuses on various stylistic procedures and especially on the model of ominous dreams associated with Cankar's symbolic-allegorical and metaphoric "images", and on Bevk's war short story involving characteristic parabolic procedures, while its entry into the expressionist stylistic paradigm is evident in dissonance, grotesque images, abstract use of colours, and rhetorical speech.
Secondary keywords: expressionism;short prose;style;Cankar, Ivan;Beck, France;Ekspresionizem;Slovenska kratka pripovedna proza;Stil;
URN: URN:SI:UM:
Type (COBISS): Article
Pages: str. 129-143
Volume: ǂLetn. ǂ2
Issue: ǂšt. ǂ1
Chronology: 2009
DOI: 10.17161/SCN.1808.7286
ID: 10837881