Pogledi na žensko v dramah slovenskih dramatičark

magistrsko delo

Kaja Cvelbar (Author), Mateja Pezdirc-Bartol (Mentor)

Abstract

Magistrska naloga raziskuje poglede na žensko v dramah slovenskih dramatičark. V nalogi analiziram drame Zofke Kveder, ki je ustvarjala v obdobju moderne (1890%1910), in prikazuje ženske in njihove družbene vloge v začetku 20. stoletja. Ženske so prikazane kot matere, zakonske žene. Njihovi glavni problemi so ujetništvo v zakonu, vsiljen zakon, smrt otroka in nezmožnost udejstvovanja izven doma. Po 2. sv. vojni drame Mire Mihelič prinašajo poglede na ženske, ki so zaposlene in izobražene. Za dosego svojega cilja so pripravljene žrtvovati vse. Dramatika 80. in 90. let, ki jo analiziram preko dram Drage Potočnjak in Alenke Goljevšček, pa nam zopet prikaže žensko v njeni intimi. Ženska je sedaj že emancipirana in se ne potrebuje več dokazovati, zato dramatika bolj prikazuje njene osebne borbe in medsebojne odnose. Drame Simone Semenič in Ize Strehar prikazujejo žensko v 21. stoletju, ko kot prekarka išče svoj prostor v negotovi postmoderni družbi.

Keywords

slovenska književnost;slovenska dramatika;slovenske dramatičarke;tematologija;lik ženske;družbena vloga žensk;emancipacija;bolonjski magisteriji;Mihelič;Mira;1912-1985;Goljevšček;Alenka;1933-2017;Potočnjak;Draga;1958-;Semenič;Simona;1975-;Strehar;Iza;1992-;

Data

Language:	Slovenian
Year of publishing:	2017
Typology:	2.09 - Master's Thesis
Organization:	UL FF - Faculty of Arts
Publisher:	[K. Cvelbar[
UDC:	821.163.6.09-2"19/20"
COBISS:	65078626
Views:	1236
Downloads:	443
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary abstract:	The master's thesis explores the views of a woman in the dramas of Slovenian dramatists. In the task I analyze the plays of Zofka Kveder, which created in the period called moderna (1890-1910), and shows women and their social roles in the early 20th century. Women are shown as mothers, married women. Their main problems are law-abiding, enforced marriage, the death of a child, and the inability to work outside the home. After the second world war dramatics of Mira Mihelič brings a look at women who are employed and educated. To achieve their goal, they are ready to sacrifice everything. The dramatics of the 80's and 90's, which I am analyzing through dramas of Draga Potočnjak and Alenka Goljevšček, again shows us a woman in her intimacy. The woman is already emancipated and no longer needs to prove it, therefore dramatics shows more of her personal struggles and mutual relations. The dramas of Simona Semenič and Iza Strehar portray a woman in the 21st century as she searches for her space in an uncertain postmodern society.
Type (COBISS):	Master's thesis/paper
Thesis comment:	Univ. v Ljubljani, Filozofska fak., Oddelek za slovenistiko
Pages:	42 f.
ID:	10915006