diplomsko delo
Mateja Nikolić (Author), Miha Colner (Mentor), Jasna Hribernik (Mentor)

Abstract

V diplomskem delu je najprej opredeljen magični realizem, izpostavljeni so njegovi vplivi in pod-žanri. Sledi opis rabe tega žanra v literaturi, televiziji in filmu, nato pa zgodovina neodvisnega filma in pomen filmskega avtorstva ali auteurstva, ki se povezuje z umetniškimi deli režiserja Wesa Andersona. Po kratkem opisu njegove filmske kariere sledi predstavitev Emira Kusturice; njegove avtorske biografije in prakse. Kratka razprava predstavi kako so politični nemiri vplivali na jugoslovanski film in posledično na filmske zgodbe Kusturice. Sledi primerjava dveh filmov obeh avtorjev, kjer so izpostavljene podobnosti v strukturi podajanja zgodbe in njenih elementov na eni ter kadriranja na drugi strani. Po zaključku teoretičnega dela sledi opis procesa nastajanja mojega študentskega filma in kratka kritična analiza tega dela.

Keywords

diplomske naloge;film;magični realizem;absurdnost;teatralnost;nadrealizem;auteur;Jugoslavija;Balkan;filmografija;stilizacija;Anderson;Wes;1969-;Kusturica;Emir;1954-;

Data

Language: Slovenian
Year of publishing:
Typology: 2.11 - Undergraduate Thesis
Publisher: [M. Nikolić]
UDC: 791
COBISS: 5135099 Link will open in a new window
Views: 4197
Downloads: 241
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Other data

Secondary language: English
Secondary title: Magical Realism in Films of Wes Anderson and Emir Kusturica
Secondary abstract: The thesis opens with an attempt of defining Magic realism, followed by a presentation of its influence and the sub-genres. After a description of how the genre is used in literature, films and on television, the history of the independent film and the importance of authorship is sketched, which leads to the work of director Wes Anderson. His career in film is briefly presented, upon which the author Emir Kusturica is introduced, his film biography and his practices. To follow is a comparison of two films by the two aforementioned authors; similarities in structure of narration and story elements are shown as well as similarities in framing. The second part of the thesis presents the process behind making of my student film, followed by a short critical analysis of the work.
Secondary keywords: Film;magical realism;absurdity;theatricality;surealism;Anderson;auteur;Kusturica;Yugoslavia;Balkan;filmography;stylization;
URN: URN:SI:UNG
Type (COBISS): Bachelor thesis/paper
Thesis comment: Univ. v Novi Gorici, Akademija umetnosti
Pages: 51 str.
ID: 10925884