Estetika umora

italijanski in britanski primer

Jan Klokočovnik (Author), Karmen Šterk (Mentor), Ilija Tomanić Trivundža (Co-mentor)

Abstract

V zaključnem delu analiziram poustvarjanje naklepne povzročitve smrti človeka v italijanskem filmu in v britanskem leposlovju. S pomočjo Heglovega (2003) pojma umetniško lepega interpretiram umore, kot da pripadajo slikarski ali kakšni drugi umetniški upodobitvi. Preden začnem s pregledom tovrstnih dejanj v filmu, predstavim italijansko kulturo in umetnost, v kateri sta že od vselej vsebovani lastnosti grozljivega in srhljivega. Nato preidem k sodobnim družbenim in kulturnim razmeram, ki vplivajo na prikazovanje nasilja nad človeškimi telesi v omenjeni filmski zvrsti. Sledi obravnava prizorov smrti, kjer orišem esteske prvine krvnih deliktov, in razložim, kaj nam slednji povedo o ideologiji, psihološki razsežnosti ter režiserjevih nazorih, ki so implicirani v njihovem prikazu. V drugi polovici magistrskega dela raziskujem pojav umora v angleškem detektivskem romanu. Poleg tega analiziram pesniško in psihoanalitično dimenzijo uboja v Stevensonovi gotski noveli Doktor Jekyll in gospod Hyde (2009) ter na podlagi De Quinceyevega dela O umoru kot obliki lepe umetnosti (2015) podam razlago, zakaj lahko določene umore pojmujemo kot estetske. V končnem poglavju se nahaja razčlemba poročanja o morilskih delih v zgodnjem tisku ter dognanje, da je tabloidni novinarski diskurz odgovoren za oglaševanje zločinskih dejanj. V sklepu ugotavljam, da poustvarjanje umora v obilici raznovstnih medijev ter umetniških zvrsteh omogoča javnosti, da se na nadzorovan način vživi v morilsko dejanje, kar potrjuje Bataillovo (2001) družbeno transgresijo prepovedi, Aristotelovo (1959) očiščenje negativnih občutkov oziroma katarzo in Schatzovo soočenje z družbenimi strahovi prek žanrskih filmov

Keywords

teorija estetike;odrska uprizoritev umora;italijanski srhljivi triler;gotski roman;detektivski roman;umetniško delo;Umor;Književnost;Umetnost;Magistrska dela;

Data

Language:	Slovenian
Year of publishing:	2018
Typology:	2.09 - Master's Thesis
Organization:	UL FDV - Faculty of Social Sciences
Publisher:	[J. Klokočovnik]
UDC:	316.7:343.611(043.3)
COBISS:	35670365
Views:	1421
Downloads:	659
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	The Aesthetics of Murder: the Italian and British Case
Secondary abstract:	The following master’s thesis deals with the analysis of premeditated murder as depicted in Italian cinematography and British literature. Under the guideship of Hegel’s (2003) concept of the artistically beautiful I examined acts of violence as if they were paintings, sculptures or other works of art. Before scrutinizing the above mentioned motion pictures, I turned my gaze upon Italian culture and art, which had always been imbued with the terrifying and horrifying. After that I asked myself, what are the contemporary social conditions that influence the display of violence against human bodies. Being granted satisfactory answers, I proceeded to learn what such depictions could tell us about ideological aspects, psychological backgrounds and artistic meanings implicated in their presentation. The second half of the thesis contains the evaluation of murder phenomena in the English detective novel. Furthermore, I have analyzed the poetical and psychoanalytical dimension of murder in Stevenson's Gothic novella Strange Case of Dr Jekyll and Mr Hyde (2009) and using De Quincey's work On Murder Considered as One of the Fine Arts (2015) explained why certain murders can be considered as aesthetic. The final chapter contains the anatomization of early news reporting about murderous crimes, as well as the deduction that tabloid journalism is responsible for advertising criminal acts. In conclusion, I find that the reproduction of homicide in diverse media and artistic genres enables the public to experience murder in a controlled manner, which confirmes Bataille's (2001) notion of transgression, Aristotle's (1959) reasoning, that by confronting such acts, we achieve catharsis, a purification of negative feelings, and Schatz’s supposition that societal fears can be confronted in genre film
Secondary keywords:	Murder;Literature;Arts;Master's theses;
Type (COBISS):	Master's thesis/paper
Study programme:	0
Embargo end date (OpenAIRE):	1970-01-01
Thesis comment:	Univ. v Ljubljani, Fak. za družbene vede
Pages:	61 str.
ID:	10937733