Digitalizacija glasbene industrije v Sloveniji

diplomsko delo

Klemen Mramor (Author), Peter Stanković (Mentor), Ilija Tomanić Trivundža (Co-mentor)

Abstract

Glasbena industrija je živ organizem, ki se razvija in adaptira glede na klimo v glasbenem svetu. Če je bila glasba v začetkih zgolj zaporedje tonov in ritmov, se je skozi leta razvijala in prerasla v industrijsko velesilo, ki s svojimi produkti zabava uporabnike, hkrati pa nudi delo vsem, ki delujejo v glasbenem svetu. Digitalizacija je vplivala na razvoj glasbene produkcije, uporabe in prodaje glasbe. V svojem diplomskem delu raziskujem vplive digitalizacije na razvoj glasbene produkcije, na založbe, avtorje in izvajalce ter na poslušalce. Zaradi pomanjkanja slovenske literature o digitalizaciji in glasbeni industriji sem s polstrukturiranimi intervjuji znanih slovenskih producentov, založnikov in glasbenikov pridobil znanje o razvoju in spremembah v slovenski glasbeni industriji.

Keywords

Glasba;Digitalizacija;Glasbena industrija;Diplomska dela;

Data

Language:	Slovenian
Year of publishing:	2018
Typology:	2.11 - Undergraduate Thesis
Organization:	UL FDV - Faculty of Social Sciences
Publisher:	[K. Mramor]
UDC:	78:004.738.5(043.2)
COBISS:	35885917
Views:	605
Downloads:	291
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Digitalization of music industry in Slovenia
Secondary abstract:	The music industry is a living organism that develops and adapts according to the climate in the music world. If music was initially just a sequence of tones and rhythms, it evolved over the years and turned into an industrial superpower that entertains users with its products, and at the same time it offers work to all those who work in the music world. Digitalization influenced the development of music production, the use and sale of music. In my diploma thesis I will explore the effects of digitization on the development of musical production, how it influenced the publishing house, the author and the performers, and the listeners. Due to the lack of Slovene literature on digitization and musical industry, I, through semi-structured interviews with famous Slovenian producers, publishers and musicians, gained knowledge about the development and changes in musical industry.
Secondary keywords:	Music;Digitization;Music industry;Graduate theses;
Type (COBISS):	Bachelor thesis/paper
Study programme:	0
Embargo end date (OpenAIRE):	1970-01-01
Thesis comment:	Univ. v Ljubljani, Fak. za družbene vede
Pages:	47 str.
ID:	10959663