Vključevanje slike v grafiko

diplomsko delo

Manca Mugerli (Author), Črtomir Frelih (Mentor)

Abstract

V svojem diplomskem delu sem združila dve likovni področji in sicer umetniško grafiko in slikanje. Kadar govorimo o grafiki, takoj pomislimo na možnosti reproduciranja, kar je značilno za večino grafičnih tehnik. Beseda slikanje pa nas najprej spomni na vrsto barv in barvnih kombinacij, ki aktivirajo naše doživetje. Ti dve lastnosti sem v svojih umetniških delih povezala med seboj. Tako se prej enaki odtisi zdaj predstavijo v drugačni luči. Končna dela niso več enaka, kljub temu, da ima grafika ponovljive odtise. Zaradi dodane barve vsak odtis pridobi svojo enkratnost in originalnost, postane drugačen. Različne barve imajo namreč svoje fiziološke, psihološke in simbolične lastnosti, ki v nas sprožajo različne odzive. Pri tem sem se spraševala, kaj se zgodi z reproduktibilnostjo grafike in kako dodana barva vpliva in prispeva k grafičnem odtisu. Zanimalo me je ali grafični odtis z vnosom barve doživljamo drugače in kako omenjeni področji skupaj delujeta v končnih izdelkih.

Keywords

umetniška grafika;stirografija;reproduktibilnost;slikanje;barvna harmonija;kombiniranje likovnih področij;

Data

Language:	Slovenian
Year of publishing:	2018
Typology:	2.11 - Undergraduate Thesis
Organization:	UL PEF - Faculty of Education
Publisher:	[M. Mugerli]
UDC:	766(043.2)
COBISS:	12111177
Views:	549
Downloads:	121
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Integrating the painting into print making
Secondary abstract:	I have joined two art fields - graphic arts and painting. When we talk about graphics, we can instantly think of reproduction, what is true for the majority of graphic techniques. The word painting associates us with numbers of colours and their combinations which activate our perception. I have mixed these two qualities where the same printing is shown in different light. Final works aren't the same anymore although the graphics has reproducible prints. Each gets its uniqueness and originality, each becomes different. Every single colour has its physical, psychological and symbolical characteristics which provoke different reactions. I have been also interested in reproductions of the graphics and also how the colour added impacts on the graphic print. I have researched if we feel each graphic print differently and how the areas work out together in final pieces of art.
Secondary keywords:	graphic arts;colour;grafika;barva;
File type:	application/pdf
Type (COBISS):	Bachelor thesis/paper
Thesis comment:	Univ. v Ljubljani, Pedagoška fak., Likovna pedagogika
Pages:	39 str.
ID:	10973074