Mit in ritem bobna

poteze modernega mitološkega romana v Pločevinastem bobnu

Anja Silovšek (Author), Tone Smolej (Mentor)

Abstract

Diplomska naloga skuša osvetliti vlogo mita v strukturi modernega mitološkega romana na primeru Pločevinastega bobna Günterja Grassa. Iz razumevanja strukture moderne proze po Mariu Andrenottiu izhaja teza, da se prek izgradnje lika na podlagi principa gestičnosti ter globlje povezave strukture in vsebine struktura moderne proze vzpostavlja kot zanikanje principov meščanske proze devetnajstega stoletja. Kako se torej kažejo principi moderne proze v kontekstu modernega mitološkega romana, in kakšno vlogo znotraj njih zavzema mit? Izkaže se, da je ena izmed možnih oblik izgradnje lika po gestičnem principu t. i. literarna prefiguracija. Gre za tehniko vzporejanja mitoloških motivov s sodobno snovjo, ki vzpostavi tipiziranje likov in hkrati omogoča pripovedovalčev komentar, ne da bi pri tem omejevala možnosti interpretacije. V Pločevinastem bobnu lahko tako najdemo skoraj vse vrste literarne prefiguracije, ki kot vrsta montaže zavzemajo vlogo strukturnega principa pripovedi. Ta pa je globoko navezan na vsebino, saj je delovanje osrednjega lika, Oskarja, ki z ritmi iz svojega bobna preureja ritem svoje sodobnosti, analogno tehniki literarne prefiguracije, ki s vzpostavljanjem mitskih motivov preureja smisel sodobne snovi.

Keywords

literatura in mit;nemška književnost;mitološki roman;diplomsko delo;Grass;Günter;1927-2015;"Pločevinasti boben";

Data

Language:	Slovenian
Year of publishing:	2016
Typology:	2.11 - Undergraduate Thesis
Organization:	UL FF - Faculty of Arts
Publisher:	[A. Silovšek]
UDC:	821.112.2.09Grass G.
COBISS:	61634146
Views:	461
Downloads:	133
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary abstract:	This bachelor thesis tries to highlight the role of myth in the structure of the modern mythological novel by taking a closer look upon the novel The Tin Drum by Günter Grass. Following Mario Andrenottis' understanding of the structure of the modern prose, the thesis is set up, that the structure of the modern mythological novel is established on the grounds of rebelling against the principles of the bourgeois prose of the 19th century by building the characters, following the gestic principle and trough merging of the structure and the content. How do the principles of the modern prose show in the context of the modern mythological novel and what is the role of the myth with respect to them? It turns out, one of the possible ways of building a character, following the gestic principle, is literary prefiguration. It is a technique, which provokes the typifying of the characters by forming parallels between mythological motives and the contemporary subjects. This enables the narrator to include a comment, without limiting the readers' options of interpretation. In The Tin Drum, one can find almost all kinds of literary prefiguration, which forms the structural principle of the narration. The latter is strongly related to the content, due to the fact that the main character's way of rearranging the rhythm of his contemporariness with the rhythm of his drum, is analogue to the technique of the literary prefiguration, which draws parallels with myth and thus rearranges the notion of the contemporal subject.
Type (COBISS):	Bachelor thesis/paper
Thesis comment:	Univ. v Ljubljani, Filozofska fak., Oddelek za primerjalno književnost in literarno teorijo
Pages:	27 f.
ID:	10976183