Značilnosti kratke proze Roberta Bolaña

diplomsko delo

Matej Kermavner (Author), Tomo Virk (Mentor)

Abstract

Diplomsko delo skuša podati celosten pregled vseh štirih zbirk kratkih zgodb Roberta Bolaña in predstaviti glavne značilnosti njegove kratke proze. V večini zgodb zasledimo lik Artura Belana, Bolañevega alter ega, ki nastopa kot pripovedovalec, protagonist ali sekundarna oseba. Intertekstualnost je verjetno najpomembnejša lastnost celotne Bolañeve proze, avtor pa s konkretnimi primeri predstavi različne tipe intertekstualnosti, ki se pojavljajo v zgodbah. V zgodbi Sensini gre za poklon argentinskemu pisatelju Antoniu Di Benedettiju, v Beležki plesov (Carnet de baile) pa za kritiko Nerude in parodiranje biblične oblike besedila. V Podganjem policaju (El policía de las ratas) Bolaño prenese dogajalni prostor iz Kafkine zgodbe Pevka Jožefina ali mišji rod in variira temo umetnikove usode, v zgodbi Neznosni gaučo (El gaucho insufrible) pa gre za variacijo toposa civilizacija - barbarstvo, značilnega za južnoameriško književnost. Avtor v delu govori tudi o intermedialnosti med filmom in kratko prozo Roberta Bolaña, za konec pa analizira motive samote tekom umetnikovega ustvarjanja.

Keywords

latinskoameriške književnosti;čilska književnost;kratka proza;intertekstualnost;diplomsko delo;Bolaño;Roberto;1953-2003;

Data

Language:	Slovenian
Year of publishing:	2016
Typology:	2.11 - Undergraduate Thesis
Organization:	UL FF - Faculty of Arts
Publisher:	[M. Kermavner]
UDC:	821.134.2(83).09-32Bolaño R.
COBISS:	61893986
Views:	691
Downloads:	154
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary abstract:	Undergraduate thesis attempts to present an overview of Roberto Bolaño's four short story collections and its most important characteristics. In the majority of the stories we come across Bolaño's alter ego, a character named Arturo Belano, in the role of narrator, protagonist or secondary character. Intertextuality is probably the most importatnt characteristic of Bolaño's prose and author's goal is to present examples of different types of intertextuality in the stories. The story Sensini pays homage to Argentinian writer Antonio Di Benedetti, meanwhile Dance card mocks Neruda and parodies biblical text form. In the Police rat Bolaño borrows fictional world from Kafka's Josephine the singer, or the mouse folk and writes a variation on the theme of artist's fate. Author also writes about the variation of the famous South American literary topos (civilization - barbarity) which appears in the story The insufferable gaucho. Besides all that, this thesis talks about connection between film and Bolaño's short stories and finishes with the analysis of the motive of loneliness in different periods of Bolaño's work.
Type (COBISS):	Bachelor thesis/paper
Thesis comment:	Univ. v Ljubljani, Filozofska fak., Oddelek za primerjalno književnost in literarno teorijo
Pages:	39 str.
ID:	10976199