diplomsko delo
Staša Kumše (Author), Vid Snoj (Mentor)

Abstract

Celanova poezija je močno povezana z njegovim judovskim poreklom in dogodki v mladosti. Podaja nam košček zgodovine, kot tega ne more izraziti noben drug medij, in ima sposobnost izraziti občutke groze, utesnjenost cikličnosti časa, nasilja, izgubljenosti in tavanja. Bralčevo podoživljanje pesmi spodbuja njegovo razmišljanje o zgodovini, človeštvu in vlogi umetnosti v vsakdanjem življenju. V diplomskem delu sem analizirala elemente judovstva v Fugi smrti, ki se v tem delu kažejo preko tematike, motivov in literarnih nanašalnic na druga dela bodisi s področja glasbe bodisi s področja literature. Analizirala sem tako aluzije na avtorje judovskonemškega kot tudi nemškega porekla, ki so bili v času Celanovega življenja že umeščeni v umetnostni kanon na svojem področju. Ugotovila sem, da pesem na popolnoma osnovni pomenski ravni dobro deluje že ob prvem branju, vendar se Celanovo mojstrstvo pokaže šele informiranemu bralcu, ki v njej prepozna in razčleni razsežno semantično polje elementov judovstva v kontekstu časa, v katerem je nastala.

Keywords

nemška poezija;judovstvo;holokavst;diplomsko delo;Celan;Paul;1920-1970;"Fuga smrti";

Data

Language: Slovenian
Year of publishing:
Typology: 2.11 - Undergraduate Thesis
Organization: UL FF - Faculty of Arts
Publisher: [S. Kumše]
UDC: 821.112.2.09-1Celan P.
COBISS: 64546914 Link will open in a new window
Views: 608
Downloads: 211
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Other data

Secondary language: English
Secondary abstract: Celan's poetry is greatly linked to his Jewish origin and events that occurred in his past and youth. It grants us a piece of history in a way, which can not be expressed with any other media. The poem has the ability to voice feelings of terror, the confinement of the cyclicality of time, violence, evanescence and perpetual wandering. The reader's immersion in the songs encourages him to think about history, humanity and the roles of art in the everyday life. In my thesis I analysed the elements of judaism in the Death Fugue, which are shown through the choice of theme, motives, and literary references to other works from the field of culture, music and literature. Analysed are also the allusions to authors of a Jewish-German origin and other of a German origin, who have already at the time been positioned in the artistic canon. I have found, that the song works well on a basic semantic level, but Celan's mastery is fully appreciated only with a well informed reader, who can identify and parse the large semantic field of the elements of Judaism in the contex of time in which it was written.
Type (COBISS): Bachelor thesis/paper
Thesis comment: Univ. v Ljubljani, Filozofska fak., Oddelek za primerjalno književnost in literarno teorijo
Pages: 43 str.
ID: 10976750
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