Glasba W. A. Mozarta v literarnem ustvarjanju J. W. Goetheja

diplomsko delo

Urška Kastelic (Author), Gašper Troha (Mentor)

Abstract

Diplomsko delo preučuje vez med nemškim literatom Johannom Wolfgangom Goethejem in avstrijskim skladateljem Wolfgangom Amadeusom Mozartom. Že od samega začetka je v Goethejevem literarnem ustvarjanju moč zaznati prvine glasbe. Kot štirinajstletni mladenič je v Frankfurtu prvič poslušal Mozarta in se seznanil z njegovo virtuoznostjo in skladateljskim talentom. Od takrat naprej ga je Mozartova glasba navdihovala; kot direktor weimarskega gledališča je na oder postavil največkrat prav njegove opere, kar dvesto osemdesetkrat, napisal je tudi nadaljevanje Mozartove opere Čarobna piščal, z naslovom Čarobna piščal drugi del. Vzporednice se lahko rišejo tudi med Goethejevo dramo Ifigenija na Tavridi in Mozartovo opero Beg iz Seraja ter Goethejevo dramo Faust in Mozartovo opero Don Giovanni. Stično točko med Goethejem in Mozartom predstavlja samospev Vijolica, kjer je Mozart uglasbil Goethejevo pesem.

Keywords

literatura in glasba;nemška književnost;opera;Čarobna piščal;Faust;Don Juan;diplomsko delo;Goethe;Johann Wolfgang;1749-1832;Mozart;Wolfgang Amadeus;1756-1791;

Data

Language:	Slovenian
Year of publishing:	2016
Typology:	2.11 - Undergraduate Thesis
Organization:	UL FF - Faculty of Arts
Publisher:	[U. Kastelic]
UDC:	821.112.2.09Goethe J.W.:78Mozart W. A.
COBISS:	62088034
Views:	679
Downloads:	220
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary abstract:	The thesis explores the connection between German writer Johann Wolfgang Goethe and Austrian composer Wolfgang Amadeus Mozart. From the beginning of his literary creation, we can perceive elements of music in Goethe's work. He first listened to Mozart as a fourteen year old boy in Frankfurt and he became familiar with his virtuosity and composing talent. From then on Mozart's music inspired him; during his time, as the manager of the theatre in Weimar, Mozart's operas appeared on the stage many times, altogether two hundred and eighty times. He also wrote the continuation of Mozart's Opera The Magic Flute, titled The Magic Flute's Second Part. Similarities could also be drawn between Goethe's play Iphigenia in Tauris and Mozart's opera The Abduction from the Seraglio; and between Goethe's Faust and Mozart's Don Giovanni. The art song The Violet represents the contact point between Goethe and Mozart, as Mozart set the music to Goethe's poem.
Type (COBISS):	Undergraduate thesis
Thesis comment:	Univ. v Ljubljani, Filozofska fak., Oddelek za primerjalno književnost in literarno teorijo
Pages:	65 f.
ID:	10978746