Abstract
Z nalogo pokazati, da je realistični diskurz aktualen mišljenjski model
tudi v današnjem času, besedilo sledi krožni poti, ki jo predstavlja diagram
treh tem iz izhodiščnega raziskovalnega vprašanja po današnji aktualnosti realističnega
diskurza v luči literarnega realizma in novomedijske umetnosti.
Prvi del razprave pregleda področje raziskav literarnega realizma, kot ga
stroka razume v historičnem smislu za literarne pojave po letu 1830. Na
kritičen način so predstavljene osrednje razlage realizma v literaturi. Izhodišče
realističnega diskurza je kriza dejanskosti. Drugi del besedila osvetli
problematiko sodobne umetniške ustvarjalnosti na prelomu 20. v 21. stoletje
na področju novomedijske umetnosti. Tretji del razprave išče stične
točke med literarnozgodovinskimi raziskavami in teoretskimi ter poetološkimi
modeli sodobne umetnosti. Pristop, ki združuje na videz zelo različne
pojave – literaturo in (praviloma računalniško podprte) nove medije – je
v raziskovanju literarnega realizma novost. Prek prizem literarnega realizma
in novomedijske umetnosti raziskava poišče rezultat, razlago realizma.
Preprostega odgovora glede aktualnosti, npr. zgolj literarnega realizma v 21.
stoletju, besedilo pravzaprav ne ponuja, skonstruira pa uporaben realistični
način mišljenja sveta, v katerem živimo.
Keywords
realizem;novomedijska umetnost;primerjalna književnost;teorija novih medijev;arhivi umetnosti;filozofski vidik;
Data
Language: |
Slovenian |
Year of publishing: |
2019 |
Typology: |
2.01 - Scientific Monograph |
Organization: |
UNG - University of Nova Gorica |
Publisher: |
Založba Univerze |
UDC: |
82.02"18" |
COBISS: |
294283520
|
ISBN: |
978-961-7025-04-0 |
Views: |
2898 |
Downloads: |
0 |
Average score: |
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Metadata: |
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Other data
Secondary language: |
English |
Secondary title: |
The Question of Realism |
Secondary abstract: |
This book is an attempt to show how the
realist discourse maintains certain current relevance in literature and in the
new-media art. The treatise is founded on the study of literary realism in
its generally accepted meaning with the start of its development in the
1830-ies. In the 20th century, with a variety of late and neo-realisms, the
status of literary realism becomes problematic. Different uses of the term
realism in different scholarly disciplines and the field of art are presented.
The discussion focuses on the theory of Joseph P. Stern and Wittgenstein’s
philosophy from which the theoretical particulars of the term realism and
its consequences in realistic literature and in other arts are derived. The
introductory chapter is followed by an overview of traditional approaches
to the research of realism that is based on the problem of representation.
The chapter explicates the “debate on expressionism” and concludes the first
part with an additional consideration of the typological concept of realism.
The second part confronts literature as the verbal artistic medium with the
filed of the new media arts. The treatise presents different communication
models that bring order into the new media textuality: the text as a game
and the concept of a digital community are considered on the grounds
of the theory of cybertext by Espen J. Aarseth. The theoretical problems
inherent in the mechanical construction of texts are presented as well. The
second part of the book concludes with a discussion of the categorical
obstacles in computer-based simulation of language. The last part of the
book discusses the nature of the junction between the new-media art
communication and realism. Here the treatise focuses on the notion of the
archive from the theoretical point of view and on its uses in various artistic
poetics and practices. Walter Benjamin’s theory of allegory is explained as a
variant of the theory of archive, which, however, is not a realist one. The last
chapter describes the idea of the ”realist way“ as a |
Secondary keywords: |
Realizem;Filozofski vidik;Literarna teorija; |
URN: |
URN:SI:UNG |
Type (COBISS): |
Other |
Pages: |
387 str. |
ID: |
11109765 |