Psihoanalitična in narativna analiza filma Črni labod

diplomsko delo

Neža Zidanič (Author), Karmen Šterk (Mentor), Maruša Pušnik (Co-mentor)

Abstract

V diplomskem delu sem preučevala film Črni labod, psihološki triler režiserja Darrena Aronofskyja. Film se osredotoča na psihološko delovanje glavne protagonistke, baletke Nine Sayers. V teoretskem delu sem predstavila teorijo o filmu in filmskem jeziku, narativno teorijo in teoretske koncepte psihoanalize dveh avtorjev, ki sta imela največ vpliva na psihoanalitično filmsko teorijo. V drugem, analitičnem delu sem izvedla narativno analizo filma, pri čemer sem se oprla na elemente strukturalistične teorije in filmski jezik, nato pa sem vsebino filma analizirala še skozi koncepte psihoanalize. Skozi analizo elementov strukturalistične teorije sem prišla do ugotovitve, da je notranja fokalizacija ključna pri temu, da gledalci dobimo podroben vpogled v duševno notranjost glavne protagonistke. Ta je fokalizirana iz psihološkega, čustvenega, zaznavnega in kognitivnega vidika in tako deluje kot fikcijski filter, skozi katerega gledalci vidimo zgodbo. Skozi koncepte psihoanalize sem ugotovila, da karakterji v filmu delujejo kot deli človeškega psihičnega aparata po Freudu. Mrs. Sayers deluje kot superego, Nina kot ego in Lily kot id. Ugotovila sem, da imata narativna struktura in filmski jezik ključno vlogo pri tem, kako bomo gledalci zaznavali dogodke v zgodbi, psihoanaliza pa nam je pomagala osmisliti dogodke v zgodbi.

Keywords

narativna analiza;strukturalistična teorija;Črni labod;Film;Psihoanaliza;Strukturalizem;Diplomska dela;

Data

Language:	Slovenian
Year of publishing:	2019
Typology:	2.11 - Undergraduate Thesis
Organization:	UL FDV - Faculty of Social Sciences
Publisher:	[N. Zidanič]
UDC:	159.964.2:791.2(043.3)
COBISS:	36282717
Views:	826
Downloads:	316
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Psychoanalysis and narrative analysis of movie Black Swan
Secondary abstract:	In my thesis I studied a film Black Swan, psychological thriller, directed by Darren Aronofsky. Film focuses on psychological activity of the main protagonist, ballerina Nina Sayers. In theoretic part I introduced film theory, film language, narrative theory and theoretic concepts of psychoanalysis by two authors that had the biggest impact on psychoanalytic film theory. In second, analytical part, I performed a narrative analysis of film, where I used concepts of structuralist narratology. Then I analysed the film through the concepts of psychoanalysis. Through analysing element of structuralist theory, I reached findings that inner focalization is the key for spectators to get a detailed insight into the mentality of the main protagonist. She is focalized through psychological, emotional, perceptional and cognitive perspective and therefore works as fictional filter through which the spectators see the story. Through the concepts of psychoanalysis I reached findings that characters in the movie work as parts of human psychic apparatus by Freud. Mrs Sayers works as superego, Nina as ego and Lily as id. I discovered that narrative structure and film language play the main role in how the spectators are going to perceive the happenings in the story and that psychoanalysis has helped us give meaning to the events in the story.
Secondary keywords:	Film;Psychoanalysis;Structuralism;Graduate theses;
Type (COBISS):	Bachelor thesis/paper
Study programme:	0
Embargo end date (OpenAIRE):	1970-01-01
Thesis comment:	Univ. v Ljubljani, Fak. za družbene vede
Pages:	66 str.
ID:	11185790