Cecilija Oblonšek (Author)

Abstract

Duhovnik Gregor Zafošnik je kot skladatelj najbolj plodovito ustvarjal v obdobju, znotraj katerega je na glasbeno-liturgičnem področju prihajalo do mnogih sprememb v času drugega vatikanskega cerkvenega zbora. Zafošnikov skladateljski opus, ki je bil vselej naklonjen preprostemu glasbenemu stavku in pozoren do manjših glasbenih zasedb, je v mnogih pogledih ustrezal usmerjenosti koncila na glasbenem področju, kar je razvidno iz skladateljevega glasbenega in pedagoškega delovanja, v katerem se je zavzeto posvetil izobraževanju cerkvenih glasbenikov in preprostim napevom maš, spevov med berili ter ljudskih pesmi. S svojim skladateljskim opusom in izdajami pesmaric je močno zaznamoval predvsem glasbeni repertoar pevskih korov na območju današnje Nadškofije Maribor, z mnogimi deli pa je prodrl tudi na celotno slovensko raven in v tujino. V razpravi se posvečamo njegovi naklonjenosti do občestvene pesmi, ki jo je drugi vatikanski cerkveni zbor utemeljil kot liturgično glasbo in jo postavil ob bok gregorijanskemu koralu ter klasični in moderni polifoniji.

Keywords

drugi vatikanski cerkveni zbor;slovenski skladatelji;liturgična glasba;Zafošnik;Gregor;1902-1994;

Data

Language: Slovenian
Year of publishing:
Typology: 1.02 - Review Article
Organization: UL TEOF - Theological Faculty
UDC: 783(497.4):929Zafošnik G.
COBISS: 8047962 Link will open in a new window
ISSN: 2335-4127
Parent publication: Edinost in dialog
Views: 591
Downloads: 257
Average score: 0 (0 votes)
Metadata: JSON JSON-RDF JSON-LD TURTLE N-TRIPLES XML RDFA MICRODATA DC-XML DC-RDF RDF

Other data

Secondary language: English
Secondary title: Liturgical music after Vatican Council II and contribution of Gregor Zafošnik to musical treasure of post-council Church in Slovenia
Secondary abstract: Priest Gregor Zafošnik created most of his compositions in the period of many changes within musical-liturgical area during Vatican Council II. In his compositions, Gregor Zafošnik was always fond of simple musical expression and smaller musical ensembles, which ideally suited orientation of Council in a musical point of view. His course of work is transparent through his musical and pedagogical work, in which he intensively focused on church musicians and on the simplicity of his compositions of ordinarium of mass, resposorium graduale and congregational songs. With his compositions and with his editions of hymnals he left a mark on church choirs of today's archdiocese Maribor, but his repertoire is also known in Slovenia and abroad. This article concentrates on Zafošnik and his fondness for congregational singing, which was legitimated as liturgical music by Vatican Council II along with the Gregorian chant, ancient and modern polyphony.
Secondary keywords: regens chori;cathedral of Maribor;Faculty of Theology - Maribor Unit;liturgical music;liturgical renovation;Vatican council II;liturgical collaboration;
URN: URN:NBN:SI
Type (COBISS): Article
Pages: str. 139-161
Volume: ǂLetn. ǂ73
Issue: ǂšt. ǂ1/2
Chronology: 2018
ID: 11204698