Uporaba voska pri likovni umetnosti

magistrsko delo

Aljaž Glavina (Author), Beatriz Tomšič-Čerkez (Mentor), Salvatore Guzzo (Co-mentor)

Abstract

Magistrska naloga v prvem delu predstavlja pomen voska kot likovnega materiala v zgodovini, njegovo vlogo pri obrednih slovesnostih v preteklosti, lastnosti voska kot kiparskega materiala in njegove možnosti vključitve v srednješolski vzgojno-izobraževalni proces pri likovni umetnosti. Z deli italijanskih in slovenskih kiparjev je kronološko predstavljena uporaba voska v kiparstvu. Obrazložene so osnovne tehnike oblikovanja in uporabe voska v kiparstvu in priprava različnih vrst voska, ki se lahko uporabijo za modeliranje, dodatno dodelavo itd., in kako in zakaj se uporablja določena zmes voska. Praktični primeri, ki jih avtor izvaja v laboratoriju za tehnike vlivanja (Fonderia), predstavljajo njegove likovne analize in nekatera dela drugih umetnikov. V drugem delu naloge so ob prikazu praktičnih primerov v ateljeju, namenjenem dijakom in dijakinjam, predstavljeni postopki uporabe in obdelave voska kot kiparskega materiala, tehnike vlivanja, oblikovanje voščenega portreta in razumevanje pojmov pozitiv in negativ. Izvedba v praksi temelji na podlagi učne priprave, v kateri so jasno postavljeni cilji, likovna naloga, skrbno izbrani pripomočki in pripravljen delovni prostor, natančno opisani postopki izvedbe likovne naloge, analiza opravljenega dela in vrednotenje.

Keywords

likovna didaktika;kiparstvo;vosek;tehnike vlivanja;voščeni portret;pozitiv;negativ;

Data

Language:	Slovenian
Year of publishing:	2019
Typology:	2.09 - Master's Thesis
Organization:	UL PEF - Faculty of Education
Publisher:	[A. Glavina]
UDC:	73(043.2)
COBISS:	12598857
Views:	590
Downloads:	104
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Use of wax in fine arts
Secondary abstract:	In this master’s thesis, the first part of the research presents the history of the meaning of wax as an art material, its role in ceremonial events in the past, the characteristics of wax as a sculptural material and its possibilities of being included in high school art classes. The use of wax in sculpture is chronologically presented through the works of Italian and Slovenian sculptors. The basic design techniques, use of wax in the field of sculpture, the preparation of different types of wax that can be used for modelling, additional finishing, etc., and how and why a particular wax mixture is used, are explained in this work. Practical examples show the work of the author with art analysis (i.e., analyses of his artworks) and some works by other artists in the laboratory for casting techniques using pouring (Fonderia). The second part of the thesis presents practical examples in the atelier intended for high school students, along with the processes of using and treating wax as a sculptural material, casting techniques, creating wax portraits and understanding the terms positive and negative in artwork. The practical implementation is based on the related teaching preparation, which clearly sets goals, artworks, carefully selected tools and prepared workspaces, precisely described procedures for making artworks, and analysis and evaluation of the work that is done.
Secondary keywords:	fine arts;likovna umetnost;
File type:	application/pdf
Type (COBISS):	Master's thesis/paper
Thesis comment:	Univ. v Ljubljani, Pedagoška fak., Likovna pedagogika
Pages:	97 str.
ID:	11228993