Serijski morilec v seriji in njegov gledalec

diplomsko delo

Neža Bajželj (Author), Karmen Šterk (Mentor), Maruša Pušnik (Co-mentor)

Abstract

V besedilu prikažemo družbeni fenomen serijskega morjenja, ki je v zadnjih desetletjih postal popularna tema v serijah, in njegovega gledalca. Predstavimo osnovne koncepte definiranja serijskega morilca, zgodovino vzpona tovrstnih medijskih vsebin in teorije gledalcev ter potrošne kulture. Temu sledi študija primera serije The Fall, predstavitev glavnega lika in sestava serije. Študijo primera nato navezujemo na teorijo gledalca in koncept uživanja. Izbrana metodologija je komparativna metoda virov ter njihova kritična ocena. Analiza pokaže, da tako kot serijski morilec udejanja fantazije, ki jih ne more doseči na drug način, tudi posameznik skozi sanjarjenje v seriji išče nekaj, česar drugače ne more doseči. Potrošnik oziroma gledalec stremi k doživljanju užitkov ob gledanju medijskih vsebin – bolj ko so te deviantne, bolj so privlačne zanj.

Keywords

gledalec;užitek;potrošna kultura;Serijski morilci;Potrošniki;Uživanje;Diplomska dela;

Data

Language:	Slovenian
Year of publishing:	2019
Typology:	2.11 - Undergraduate Thesis
Organization:	UL FDV - Faculty of Social Sciences
Publisher:	[N. Bajželj]
UDC:	316.7(043.2)
COBISS:	36459869
Views:	634
Downloads:	204
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Serial Killer in Series and His Spectator
Secondary abstract:	The following work focuses on the phenomenon of the serial killer, which has emerged in the recent decades as a popular theme in (television) series; the spectators of the series themselves are also central to this thesis. The basic concepts that define a serial killer are presented, followed by a historical overview of the rise of this type of content, and the theory of spectators/viewers within the frame of consumer culture. The object of the case study is The Fall, its main character and the structure of the series itself. The theory of the spectator and the concept of pleasure of watching are then applied to the case study. The analysis reveals a parallel between the serial killer and the viewer; just as the serial killer acts to give existence to otherwise unreachable fantasies, the viewer uses the series to fantasize about something they cannot achieve in other ways. The viewer, or consumer, strives to experience pleasure from the content they watch – the more deviant, the better.
Secondary keywords:	Serial murderers;Consumers;Enjoyment;Graduate theses;
Type (COBISS):	Bachelor thesis/paper
Study programme:	0
Embargo end date (OpenAIRE):	1970-01-01
Thesis comment:	Univ. v Ljubljani, Fak. za družbene vede
Pages:	31 str.
ID:	11229098