magistrsko delo
Tanisa Jahić (Author), Janez Balažic (Mentor), Borjana Kremžar (Co-mentor)

Abstract

Umetnost 20. stoletja je zaznamovala drugačnost, ki je postavila temelje delovni terapiji in tako postala tudi pomembno terapevtsko sredstvo v sodobni medicini. V prvem delu se dotaknemo začetkov in pomembnih dogodkov v umetnosti prve polovice 20. stoletja, kjer predstavimo nekaj primerov, ki so že elaborirani v okviru študij o nezavednem, Freudovo in Jungovo analizo, ki je vplivala na takratno avantgardo. Skušamo orisati, zakaj so likovna dela psihotičnih pacientov pritegnila takrat delujoče umetnike, da so zavrnili tradicionalne vrednote ter spremenili način in pristope k likovnemu delu. Temeljni cilj je proučiti, ali spoznanja iz univerzalne likovne produkcije, tako pretekle kot sedanje, lahko pomagajo oziroma so pomagala k izoblikovanju kvalitativnih prijemov za terapevtsko delo. Predpostavljamo, da primeri iz zgodovine umetnosti pomagajo pri razumevanju del pri specifičnih skupinah. Nadaljujemo z orisom likovne terapije, s primerjavo z edukacijo, z vlogo terapevta pri likovnih terapijah, s pristopom do likovnega dela in z analizo pacientovega ustvarjalnega dela. Cilj empiričnega dela je, preveriti že znane metode v prakticiranju likovnih terapij na Oddelku za psihiatrijo v Mariboru. Pri tem smo zasledovali način izbire motivov in posebnosti ob izbiri ter poskušali s pomočjo anketnega vprašalnika ugotoviti vzroke za takšne odločitve. Sledila je še interpretacija teh v dialogu z likovnih terapevtom.

Keywords

magistrska dela;modernizem;Art Brut;dadaizem;nadrealizem;Freud;likovna terapija;psihiatirja;

Data

Language: Slovenian
Year of publishing:
Typology: 2.09 - Master's Thesis
Organization: UM PEF - Faculty of Education
Publisher: [T. Jahić]
UDC: 7:615.851.8(043.2)
COBISS: 25084936 Link will open in a new window
Views: 679
Downloads: 122
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Other data

Secondary language: English
Secondary title: The art of the first half of the 20th century as the basis for specific therapeutic production
Secondary abstract: 20th century art was marked by diversities, which laid the foundations for occupational therapy and thus became an important therapeutic agent in contemporary medicine. In the first part, we put our focus on the beginnings and important events in the art of the first half of the 20th century, where we present some examples that are already elaborated in the context of studies on the unconscious, Freud's and Jung's analysis that influenced the avant-garde of that time. We try to outline why the artwork of psychotic patients attracted artists of the time to reject traditional values and changed their ways and approaches to art work. The grand goal is to examine whether the lessons learned from universal art production, both past and present, can or have helped to formulate qualitative approaches to therapeutic work. We continue with the outline of art therapy, with comparison with education, with the role of the therapist in art therapies, with the approach to art work and with the analysis of the patient's creative work. The aim of the empirical work is to test already known methods in the practice of art therapies at the Department of Psychiatry in Maribor. In doing so, we pursued a method of selecting motives and specificities when choosing, and tried to find out the reasons for such decisions by means of a questionnaire. This was followed by an interpretation of these in dialogue with the art therapist.
Secondary keywords: master theses;modernism;Art Brut;dadaism;surrealism;Freud;art therapy;psychiatry;
Type (COBISS): Master's thesis/paper
Thesis comment: Univ. v Mariboru, Pedagoška fak., Oddelek za likovno pedagogiko
Pages: XIV, 152 str.
ID: 11329977