Klubska kultura v sociologiji prostora

vpliv globalizacije na kraj in simbole klubske kulture

Špela Cvetko (Author), Marjan Hočevar (Mentor)

Abstract

Klubska kultura je družben, politični in ekonomski fenomen, osrediščen okoli potrošnje elektronske glasbe v specifičnih prostorih, kot so klubi. Povezuje se jo s specifičnim setom simbolov, ki, poenostavljeno spadajo v dualizem med političnim in hedonizmom. Klubsko kulturo so v njenem začetku oblikovali lokalni konteksti specifičnih mest. Določen kraj, v katerem se je manifestirala je predstavljal estetsko in vsebinsko preslikavo glasbe, to določevalno moč identitete pa je kraj izgubil zaradi globalizacije. Kljub temu simbolna ekonomija klubske kulture temelji na specifični identitetni podobi kraja, čeprav z njim geografsko, ni nujno več povezana, različni kraji pa se povezujejo z različnimi simboli, kar vpliva na razumevanje določene scene. Globalizacija je omogočila globalno razširitev klubske kulture, kar je obenem pripeljalo do homogenizacije in heterogenizacije, oziroma univerzalizacije in partikularizacije. Določene podoba krajev, ki že vsebuje in producira simbole ter fizični prostor, se je posledično razširila po celem svetu. Pri tem lahko gre za podobo določene žanrske scene ali institucionalizirane forme. Skozi slednje se klubska kultura razume kot revitalizacijsko ali razvojno strategijo postindustrijskih mest.

Keywords

klubska kultura;sociologija prostora;globalizacija;simbolna ekonomija;podoba kraja;Sociologija kulture;Urbana sociologija;Glasba;Kulturne študije;Diplomska dela;

Data

Language:	Slovenian
Year of publishing:	2020
Typology:	2.11 - Undergraduate Thesis
Organization:	UL FDV - Faculty of Social Sciences
Publisher:	[Š. Cvetko]
UDC:	316.7:316.334.56(043.2)
COBISS:	36602205
Views:	269
Downloads:	0
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Club culture in sociology of space: the influence of globalization on place and symbols of club culture
Secondary abstract:	Club culture is a social, political and economic phenomenon, centered around the consumption of electronic music in specific places, like clubs. It is connected to a specific set of symbols, which, simplified, can be divided in a dualism between the political and the hedonistic. At first, club culture was formed by local contexts of specific cities. A specific place in which club culture manifested, represented the aesthetic and context mirroring, but place lost this determining power of identity because of globalization. Nevertheless the sign economy of club culture is based on the specific identity of place image, even if it is not necesarrily connected to a geographic place. Different places are connected to different signs, which impacts the understanding of a specific scene. Globalisation enabled a global expansion of club culture, which lead to both its homogeneity and heteroheneit or respectively, to universalization and globalization. Specific place images, which already contain and produce signs and the physical space, consequently spread through the world. With it, it can be the case of proliferation of a specific genre scene place image or an institutionalised form. Through the latter club culture is understood as a revitalization or developmental strategy of postindustrial cities.
Secondary keywords:	club culture;sociology of space;globalization;sign economy;place image;Sociology of culture;Urban sociology;Music;Cultural studies;Graduate theses;
Type (COBISS):	Bachelor thesis/paper
Study programme:	0
Embargo end date (OpenAIRE):	1970-01-01
Thesis comment:	Univ. v Ljubljani, Fak. za družbene vede
Pages:	40 str.
ID:	11370542