Protestna umetnost kot moment prefiguracije

misliti prakse na Slovenskem od avantgardnih gibanj do danes

Karla Tepež (Author), Žiga Vodovnik (Mentor)

Abstract

V pričujočem delu se osredinjamo na raziskovanje protestne umetnosti in njenih potencialov za družbeno spremembo. Protestno umetnost vidimo kot specifično politično prakso, zato se na prvem mestu posvečamo rekonceptualizaciji politike in političnega delovanja prek koncepta infrapolitike, hkrati pa rekonceptualiziramo tudi samo percepcijo delovanja prek nastavkov praxis-filozofije. Protestna umetnost kot praxis - torej kot svobodna in kreativna dejavnost - nam odpre prostor premišljevanja političnih sposobnosti umetnosti, saj umetnost, skozi afirmacijo kot praxis, postane nosilka afirmacije človeka kot svobodnega posameznika v svobodni družbi. Premislek praxisa nam odpre prostor premišljevanju prefigurativnih potencialov umetnosti in ponudi vstopno točko v koncepcije protestne umetnosti in njenih političnih zmožnosti, kar dodatno raziskujemo prek potenciala imaginacije in politike estetike. Politične zmožnosti tako ležijo v momentu nesoglasja oziroma v sposobnosti rekonfiguracije obstoječe distribucije zaznavnega, posledično pa umetnost izziva kaj je zaznavno, predstavljivo in mogoče. Z novo senzibilnostjo zmožnosti protestne umetnosti se posvečamo še intersekciji vsakdanjega življenja in anarhizma, v kontekstu katerega se protestna umetnost vzpostavi kot prefigurativna praksa, ki oblikuje alternativno življenje znotraj okvirov že obstoječega, s čimer se začne realizacija družbene transformacije. Ključni cilj magistrskega dela je torej politološki premislek umetnosti, s katerim bomo raziskovali politične sposobnosti umetnosti, njeno politično postajanje in ne nazadnje premislili protestne prakse v lokalnem okolju, s čimer odgovarjamo na glavno raziskovalno vprašanje, in sicer, kako misliti protestno umetnost in kakšni so njeni potenciali za spremembo družbene realnosti.

Keywords

infrapolitika;praxis;politika estetike;vsakdanje življenje;prefiguracija;Kulturne študije;Umetnost;Politično komuniciranje;Slovenija;Magistrska dela;

Data

Language:	Slovenian
Year of publishing:	2020
Typology:	2.09 - Master's Thesis
Organization:	UL FDV - Faculty of Social Sciences
Publisher:	[K. Tepež]
UDC:	316.7:32(497.4)(043.2)
COBISS:	30839555
Views:	627
Downloads:	385
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Protest art as a moment of prefiguration: thinking the practices in Slovenia from avant-garde movements up to the present day
Secondary abstract:	In this master's thesis, our research is focused on protest art in its potential for social change. We understand protest art as a specific political practice and for this reason, we first turn to the reconceptualisation of politics and political activity through the notion of infrapolitics. At the same time, we also reconceptualise the perception of political activity through praxis-philosophy. Protest art as praxis - as a free and creative activity - opens up a space of conceptualising the political capabilities of protest art. Art affirmed as praxis becomes the medium of humans affirmation as a free individual in a free society. The notion of praxis leads to the prefigurative potential of art and offers an entry point to the conceptions of protest art and to its political capabilities, which we research through the potential of imagination and through politics of aesthetics. The political capabilities of protest art therefore reside in the moment of dissensus, ergo, in the ability to reconfigure the existing distribution of what is perceptible, whilst challenging the sensible, imaginable and possible. With the new sensibility of arts political capabilities, we then focus on the intersection of everyday life and anarchism, in the context of which we conceptualise protest art as a prefigurative praxis that can form an alternative life within the shell of the old, thus prompting the realisation of social transformation. The main goal of this thesis is a political rethinking of protest art and its potential with corresponding implications in the local context. With it, the thesis addresses the question of how to think about protest art and what is its potential for the transformation of social reality.
Secondary keywords:	infrapolitics;praxis;politics of aesthetics;everyday life;prefiguration;Cultural studies;Arts;Political communication;Slovenia;Master's theses;
Type (COBISS):	Master's thesis/paper
Study programme:	0
Embargo end date (OpenAIRE):	1970-01-01
Thesis comment:	Univ. v Ljubljani, Fak. za družbene vede
Pages:	79 str.
ID:	12046398