Obrazni izrazi v svetu animiranega filma

diplomsko delo

Anja Resman (Author), Kolja Saksida (Mentor), Igor Prassel (Mentor)

Abstract

V tem diplomskem delu predstavljam podrobno analizo obraznih izrazov v animiranem filmu. Najprej se sprehodimo skozi osnovno znanje in razumevanje animacije, ter poglobje spoznamo tri večje tehnike izdelave animiranih filmov. Človeški obraz opišemo z različnimi proporci glave. Podrobno raziščemo tudi štirinajst glavnih mišic anatomije obraza, ter jih povežemo skupaj, da prikažemo šest osnovnih obraznih izrazov. Pri tem si pomagamo z znanjem iz medicine, ki predstavlja temelj osnovnega razumevanja. Podrobno analiziramo posamezne dele obraza, kot so oči, veke, obrvi in usta. Sproti nadgrajujemo razumevanje njihovega medsebojnega delovanja na različnih primerih. V zadnjem delu diplome sledimo mojemu osebnemu pristopu k izdelavi glave lutke in obraznih izrazov. Po vrstnem redu podrobno opišem celoten proces svoje izdelave obraznih izrazov za lutko Naluja. Cilj diplomske naloge je bila podrobna analiza in razumevanje posameznih mišic, njihovega medsebojnega delovanja in sestavljanja različnih obraznih izrazov. Želela sem razumeti perspektivo opazovanja gibanja človeškega obraza, odzivnosti na določeno dogajanje, nastale posledice, kako sploh pristopiti k razumevanju obraznih izrazov in kako gibanje narediti čim bolj realistično in gledalcu nemoteče.

Keywords

animirani film;stop animacija;anatomija obraznih mišic;obrazni izrazi;animacija obraza;izdelava glave lutke;diplomske naloge;

Data

Language:	Slovenian
Year of publishing:	2020
Typology:	2.11 - Undergraduate Thesis
Publisher:	[A. Resman]
UDC:	791.228
COBISS:	31592195
Views:	2822
Downloads:	157
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary abstract:	In this diploma work I present a detailed analysis of facial expressions in animated film. We first walk through the basic knowledge of animation and learn more about the three major techniques used for making animated films. We talk about diferent face proportions. We also explore the fourteen major muscles of facial anatomy in detail, and connect them together to explain six basic facial expressions. For this we used medical knowledge, which is the foundation of basic understanding we need for facial expressions. Through animation we analyze in detail individual parts of the face, such as the eyes, eyelids, eyebrows and mouth. We are constantly upgrading their mutual cooperation on various cases. In the last part of diploma I describe my own approach towards making the puppet's head and it's facial expressions. I describe the whole process of making in detail. The goal of the diploma thesis was a detailed analysis and understanding of individual muscles, their interaction and the composition of various facial expressions. I wanted to understand the perspective of observing the movement of a human face, responding to certain events, the consequences, how to approach the understanding of facial expressions and how to make the movement as realistic and unobtrusive as possible.
Secondary keywords:	animated film;stop-motion animation;facial muscle anatomy;facial expressions;facial animation;making a puppet's head;
URN:	URN:SI:UNG
Type (COBISS):	Bachelor thesis/paper
Thesis comment:	Univ. v Novi Gorici, Akademija umetnosti
Pages:	82 str.
ID:	12062730