Ljubezen v dveh romanih Ivana Cankarja

Abstract

V romanih Ivana Cankarja Na klancu in Hiša Marije Pomočnice se pojavlja več vrst ljubezni; v Hiši znatno manj pogoste in bolj subverzivne oblike. V obeh besedilih sta osrednji otroška in materinska ljubezen, le da je v prvem njuna podoba tradicionalna, vpeta v realistično-simbolistični okvir in družbeni fatalizem, v drugem pa jo čistosti, altruističnosti in svetniškosti prvega besedila izmika seksualizacija v vlogi demitizacije otroštva in materinstva. V obeh romanih so podobni tudi izvori estetike, saj vznikajo iz razcepa med materialnim in duhovnim svetom oziroma hrepenenja, ki je običajno usmerjeno proti upanju ali/in smrti % Cankar je glavni lik (Francko in Malči) delno oblikoval po femme fragile, a ga je izmaknil zgolj dekorativni izumetničenosti in ga sublimiral v posodo moralne in estetske moči. Če so v prvem romanu inovativni drugačna (nemeščanska) koncepcija ljubezni, ženska kot avtonomno bitje in glavna literarna oseba ter pretočnost otroške in materinske ljubezni, so v drugem romanu nove predstavitve naslednjih ljubezni: zunajzakonske, avtoerotične, lezbične, platonske in spiritualne ljubezni ter voajerizma, pedofilije, incesta in različnih spolnih zlorab.

Keywords

slovenska književnost;roman;motiv ljubezni;ljubezen;otroška ljubezen;materinska ljubezen;seksualizacija;demitizacija;subverzivnost;Cankar;Ivan;1876-1918;"Hiša Marije Pomočnice";"Na klancu";

Data

Language:	Slovenian
Year of publishing:	2017
Typology:	1.08 - Published Scientific Conference Contribution
Organization:	UL FF - Faculty of Arts
UDC:	821.163.6.09-31Cankar I.
COBISS:	64544354
Views:	360
Downloads:	161
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary abstract:	In Ivan Cankar's novels Na klancu (On the Slope) and Hiša Marije Pomočnice (The Ward of Our Lady of Mercy) many kinds of love appear - in the latter work less often and in more subversive forms. In both texts the child's love and maternal love are central, but in the first it is presented traditionally, within a realistic-symbolic framework and in a context of social fatalism, whereas in the second the purism, altruism and saintliness of Na klancu gives way to sexualisation, which is used to demythify childhood and motherhood. In both novels the aesthetic sources are similar, arising from the division between the material and the spiritual, or the longing that is usually directed against hope and/or death. The main character in each (Francka and Malči) is partially based on the figure of the femme fragile, but decorative l'art pour l'artism is avoided and the character imbued with moral and aesthetic strength. The first novel offers an innovatively different (non-bourgeois) concept of love, woman as an autonomous being and the main literary character, as well as the fluidity of the child's and maternal love, whereas the second shows extra-marital, autoerotic, lesbian, platonic and spiritual love, plus voyeurism, paedophilia, incest and various kinds of sexual abuse.
Secondary keywords:	Slovene literature;novel;motif of love;love;child's love;maternal love;sexularisation;demythification;subversiveness;
Pages:	Str. 62-69
DOI:	10.4312/SSJLK.53.62-69
ID:	12352470