Abstract
Svet novih medijev je neizogibno spremenil odnos učiteljev in študentov
do informacij. Podatki vseh vrst in s katerega koli znanstvenega področja
so lahko dostopni kadar koli. Kljub temu izolirani podatki nimajo
nič skupnega z znanjem. Na znanje se sklicujemo, kadar soodvisnost
informacij v določenih pogojih dobi poseben pomen. Kako uporabljati
in povezati informacije, je eno glavnih vprašanj, ki si ga morajo učitelji
postaviti, saj so še vedno glavni organizatorji izobraževalnega procesa.
Ob upoštevanju ciljev svojih razlag učitelj izbere ustrezne vsebine in jih
poveže med seboj v prizadevanju za interdisciplinarni pogled na svet,
ki je smiseln in ustrezen za njegova pojasnila. Tako poskuša motivirati
študente za poglabljanje znanja. Ta članek predstavlja raziskavo, v kateri
so morali udeleženci, prihodnji učitelji likovne umetnosti, odgovoriti na
vprašalnik, ki je zahteval primerjavo umetniških kompozicij in kompozicij,
ki so prisotne v svetu narave. Skoraj polovica jih ni našla ustreznih
primerov, čeprav so bili udeleženci študentje, ki bi morali obvladovati
vsebine z obeh področij. Razumevanje, kako umetnost sledi naravi, je
pomemben cilj pri izobraževanju prihodnjih učiteljev umetnosti. Težave
pri povezovanju podatkov in prenosu znanja, sposobnost osmišljanja
slikovnega gradiva ter razumevanja vizualnega in besednega diskurza
se zdijo redno prisotne težave v veliko pogledih v njihovi izobrazbi. V
sklepnem delu so predstavljene mogoče strategije za izboljšanje stanja s
pomočjo transmedijskih pripovedi.
Keywords
umetnost in narava;
Data
Language: |
English |
Year of publishing: |
2020 |
Typology: |
1.01 - Original Scientific Article |
Organization: |
UL PEF - Faculty of Education |
Publisher: |
University of Ljubljana, Faculty of Education |
UDC: |
37.091.3:73/76 |
COBISS: |
47162115
|
ISSN: |
1855-9719 |
Parent publication: |
CEPS journal
|
Views: |
182 |
Downloads: |
20 |
Average score: |
0 (0 votes) |
Metadata: |
|
Other data
Secondary language: |
Slovenian |
Secondary title: |
Interdisciplinary Connections through TransmediaNarratives in Art Education |
Secondary abstract: |
The world of new media has inevitably changed teachers’ and students’ attitude
towards information. Data of all kinds and from any scientific field
are easily available at any time. Nevertheless, isolated data have nothing
to do with knowledge. We refer to »knowledge« when an interdependence
of information has a particular significance in defined conditions. How to
use and connect this information is one of the primary issues teachers have
to engage with since they are still the main organisers of the educational
process. Taking into account the objectives of his/her explanations, he/she
chooses certain relevant contents, and connects them, striving for an interdisciplinary
view of the world that makes sense and gives sense to his/
her explanations, all in an attempt to motivate students in their approach
to knowledge. This article presents research in which the participants, future
art teachers, had to answer a questionnaire that required comparing
artistic compositions and compositions present in nature. Almost half of
them could not find proper examples, even though the participants were
students who should have been able to manage contents from both fields.
Understanding how art follows nature is an important goal within the
education of future art teachers. Difficulty in connecting data, transferring
knowledge, giving meaning to images and understanding visual and
verbal discourse seem to be a persistent problem in many aspects of their
education. Possible strategies to improve the situation using transmedia
narratives are presented in the conclusion. |
Secondary keywords: |
umetniška vzgoja;likovna umetnost;interdisciplinarne povezave;učne metode;transmedijske pripovedi;izobraževanje učiteljev;art education;likovna vzgoja; |
File type: |
application/pdf |
Type (COBISS): |
Article |
Pages: |
str. 55-74 |
Volume: |
ǂVol. ǂ10 |
Issue: |
ǂno. ǂ4 |
Chronology: |
2020 |
DOI: |
10.26529/cepsj.916 |
ID: |
12588709 |