Sodobna grafika v Sloveniji

magistrsko delo

Nika Strašek (Author), Janez Balažic (Mentor), Mojca Zlokarnik (Co-mentor)

Abstract

Magistrsko delo se osredotoča na razvoj sodobne grafike v Sloveniji skozi ljubljanski Mednarodni grafični bienale. Na začetku smo orisali razvoj grafike na slovenskih tleh in izpostavili ključne osebnosti ter dogodke, ki so pomembno vplivali na njen razvoj. Izhodišča smo poiskali v predvojni grafiki in ustanovitvi Akademije za likovno umetnost in oblikovanje v Ljubljani, dotaknili smo se ljubljanske grafične šole in Mednarodnega grafičnega bienala v Ljubljani. Slednjega smo podrobneje obravnavali, ker nas je zanimalo, kakšne spremembe in novosti so se pojavljale v zadnjih letih na področju grafične umetnosti. Proučili smo bienale od 20. izdaje naprej in bili pozorni na razvoj umetniške grafike, grafičnih tehnik in grafične matrice. Pri proučevanju omenjenega smo prišli predpostavili, da je bilo zaradi razvoja grafike in pojava digitalnih medijev treba na novo zastaviti zasnovo bienala, ob tem pa se sprašujemo, ali je tradicija grafične umetnosti in grafičnih tehnik še vedno živa. Naš namen je ugotoviti, kakšno vlogo ima danes matrica, saj predvidevamo, da sta se njena uporaba in pojmovanje spremenila. V zadnjem delu smo prikazali lasten pogled na sodobno grafično ustvarjanje. S produkcijo grafik, narejenih v tradicionalnih grafičnih tehnikah, želimo gledalca napotiti v raziskovanje sodobne umetniške grafike.

Keywords

magistrska dela;sodobna grafika;Akademija za likovno umetnost in oblikovanje;Mednarodni grafični bienale;tradicionalne grafične tehnike;novi mediji;

Data

Language:	Slovenian
Year of publishing:	2021
Typology:	2.09 - Master's Thesis
Organization:	UM PEF - Faculty of Education
Publisher:	[N. Strašek]
UDC:	76(497.4)(043.2)
COBISS:	64323843
Views:	971
Downloads:	104
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Contemporary graphics in Slovenia
Secondary abstract:	The final thesis considers the development of contemporary graphics in Slovenia through the Slovenian International Biennial of Graphic Arts. It begins with the portrayal of the development of Slovenian graphic arts exposing crucial individuals and events, who contributed greatly to its development. The strating points were found in the pre-war graphics and the establishment of the Academy of Fine Arts and Design Ljubljana. Furthermore, the key points were also found in Graphic School Ljubljana as well as the International Biennial of Graphic Arts in Ljubljana. The latter was thoroughly studies with the particular interest in the changes that have occured over the years. We studied the Biennial from the 20th edition and focused on the development of graphic arts, graphic techniques and graphic matrix. The research led us to the assumption that due to the development of digital media the design of the Biennial needed to be reconsidered. By doing so, the question that arises is whether the tradition of graphic arts and graphic techniques is still alive. Our purpose is also to find out what the current role of the matrix is, as we presume that its use and conception have changed. The concluding part of the thesis shows a personal view on the contemporary graphic creation. Using graphics created by the use of traditional graphic techniques, we wish to direct the viewer's eye in the research of contemporary graphic arts.
Secondary keywords:	master theses;contemporary graphic art;Academy of fine arts and design;International Bienal of Graphic Arts;traditional graphic design techniques;new media art;Univerzitetna in visokošolska dela;
Type (COBISS):	Master's thesis/paper
Thesis comment:	Univ. v Mariboru, Pedagoška fak., Oddelek za likovno umetnost
Pages:	X f., 110 str.
ID:	12733308