diplomsko delo
Adriana Štebih (Author), Špela Virant (Mentor)

Abstract

Podoba »nove ženske« (dt. Neue Frau), ki je prikazana v romanu Gilgi, eine von uns pisateljice Irmgard Keun, se je uveljavila v obdobju po 1. svetovni vojni in je korenito spremenila vlogo ženske v družbi. Z analizo vsebine romana ter razpravo o vlogi ženske v takratnem času, lahko najdemo vzporednice med fikcijo in resničnostjo, kar je dokaz, da ni šlo le za idealizirano emancipirano žensko, temveč za resnično spremenjeno žensko v takratnem času. Podrobna obravnava zgodovinskega ozadja, kot so vpliv 1. svetovne vojne, razcvet v dvajsetih letih 20. stoletja, umetniško gibanje nove stvarnosti ter tradicionalna vloga ženske, je pripomogla k lažjemu razumevanju obravnavanega dela. V življenju nove ženske so se bistveno spremenila in razvila področja službe, družine in ljubezni, kar je jasno razvidno iz zgodbe romana. Je nova vloga ženske omogočala ravnovesje med vsemi področji ali pa je šlo le za fikcijo? Prav za vsa obravnavana področja velja, da protagonistka na koncu ubere svojo pot in tako jasno dokaže, da je poosebljena »nova ženska«.

Keywords

Keun;Irmgard;1905-1982;Literarne študije;"Gilgi, eine von uns";

Data

Year of publishing:
Typology: 2.11 - Undergraduate Thesis
Organization: UL FF - Faculty of Arts
Publisher: [A. Štebih]
UDC: 821.112.2.09Keun I.(043.2)
COBISS: 73878787 Link will open in a new window
Views: 289
Downloads: 51
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Other data

Secondary language: Slovenian
Secondary title: Podoba "nove ženske" v romanu Irmgard Keun "Gilgi, eine von uns"
Secondary abstract: The image of the "New Woman" (dt. Neue Frau), presented in the novel Gilgi, One of Us by the writer Irmgard Keun, became established in the period after the First World War and radically changed the role of women in society. Based on the analysis of the content of the novel and the discussion of the role of women in this era, we find parallels between fiction and reality. This is proof that she was not only an idealized emancipated woman, but a truly changed woman at the time. A detailed examination of the historical background, such as the influence of the First World War, the Roaring Twenties, the artistic movement of New Objectivity, and the traditional role of women, helped to facilitate the understanding of the work under reflection. In the life of a new woman, the areas of work, family, and love have changed and evolved significantly, as is clear from the novel’s story. Did the new role of a woman enable a balance between all areas or was it just in fiction? In one area or another, the protagonist eventually chooses her path and clearly proves that she is the personified "New Woman".
Secondary keywords: nemška književnost;emancipacija ženske;"nova ženska";magistrska dela;German literature;female emacipation;"The new woman";
Type (COBISS): Bachelor thesis/paper
Study programme: 0
Embargo end date (OpenAIRE): 1970-01-01
Thesis comment: Univ. v Ljubljani, Filozofska fak., Oddelek za germanistiko z nederlandistiko in skandinavistiko
Pages: 34 f.
ID: 13143903