Analiza ameriške in sovjetske propagande v času hladne vojne

primer stripa

Denis Hacin (Author), Gašper Ilc (Mentor), Miha Javornik (Mentor)

Abstract

Magistrska naloga se ukvarja s kritično diskurzivno analizo dveh kulturno, politično in ideološko ločenih publikacij: ameriške serije vojaških stripov Combat Kelly ter sovjetske satirične revije Krokodil. Obe vsebujeta multimodalne tekste, tj. tekste, ki združujejo dva načina komunikacije (vizualno in verbalno). Vse tekste se lahko skupaj umesti pod žanr »stripi«. Pri analizi zato naloga združuje metodologijo Normana Fairclougha, enega izmed poglavitnih predstavnikov lingvistične šole, z multimodalno teorijo Guntherja Kressa in Thea van Leeuwena ter teorijo sekvenčne umetnosti, ki sta jo zasnovala Will Eisner in Scott McCloud. Glavni cilj naloge je identificirati, obrazložiti in kontekstualizirati ideološko vsebino obeh publikacij ob izpostavljanju formalnih elementov, ki jo utelešajo. Med skupinama tekstov prihaja do številnih pomembnih razlik; predvsem gre za dejstvo, da je prva publikacija (Combat Kelly) po naravi sekvenčna, druga (Krokodil) pa ne. Tovrstna razlika v nalogi zahteva dva ločena pristopa k analizi: enega, ki se osredotoča tudi na pripovedno zgradbo izbranih tekstov, in drugega, kjer to ni mogoče oziroma je nepotrebno. Kljub takšnim razlikam obe publikaciji reproducirata podobne ideološke propozicije, ob čemer uporabljata celo identične mehanizme oziroma sredstva.

Keywords

critical discourse analysis;multimodal discourse analysis;ideology;power;comics;

Data

Language:	English
Year of publishing:	2021
Typology:	2.09 - Master's Thesis
Organization:	UL FF - Faculty of Arts
Publisher:	[D. Hacin]
UDC:	81'42:741.52(043.2)
COBISS:	75836163
Views:	296
Downloads:	78
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	Slovenian
Secondary title:	Analysis of American and Soviet cold war propaganda
Secondary abstract:	The thesis concerns a critical discourse analysis of two culturally, politically and ideologically disparate publications: the American series of war comics Combat Kelly and the Soviet satirical magazine Крокодил (“The Crocodile”). Both contain multimodal texts, i.e. texts that combine two modes of communication (visual and verbal); all of these can be categorized under the genre of “comics”. Their analysis therefore makes use of the threefold methodology designed by Norman Fairclough, one of the most important representatives of CDA, combined with the multimodal theory of Gunther Kress and Theo van Leeuwen, as well as the theory of sequential art, as expounded by Will Eisner and Scott McCloud. The primary aim of the thesis is to identify, describe and contextualize the ideological content of both publications, while highlighting the importance of the formal elements that embody it. There are several important differences between the two groups of texts; namely, the fact that one publication (Combat Kelly) is sequential in nature, whereas the other (Крокодил) is not. This necessitates two dissimilar approaches to their analyses: one that focuses on the narrative structure of the chosen texts, and one where this is unnecessary, if not impossible. In spite of such and other differences, both publications are shown to reproduce similar ideological propositions, whereby they even use identical mechanisms or devices.
Secondary keywords:	kritična diskurzivna analiza;multimodalna diskurzivna analiza;ideologija;moč;stripi;magistrska dela;
Type (COBISS):	Master's thesis/paper
Study programme:	1000945
Embargo end date (OpenAIRE):	1970-01-01
Thesis comment:	Univerza v Ljubljani, Filozofska fak., Oddelek za slavistiko, Oddelek za anglistiko in amerikanistiko
Pages:	173 str.
ID:	13307408