magistrsko delo
Petra Vadas (Author), Franci Zore (Mentor), Špela Virant (Mentor)

Abstract

Pričujoče magistrsko delo se ukvarja z Nietzschejevim filozofskim prvencem Rojstvo tragedije iz duha glasbe, v katerem se avtor vrača k umetnosti starih Grkov, ki temelji na inherentni dvojnosti apoliničnega in dionizičnega. Nietzsche ju pretresa kot dva temeljna ustvarjalna gona, ki sta tesno prepletena ter svojo sintezo dovršita prav v atiški tragediji. V nadaljevanju se v zaključni nalogi ukvarjam tudi z obravnavo Hessejevega dela Demian in ga pretresam v luči Nietzschejanske filozofije, predvsem z vidika dvojice nasprotujočih si sil dionizično – apolinično. Poglavitna naloga, ki sem si jo zadala, je, da roman Demian predstavim kot poskus reaktualizacije Nietzschejanske dediščine in primer nihilistične filozofije, kot jo razume njen stvaritelj. Izhajam iz hipoteze, da apolinično in dionizično součinkujeta drug na drugega, zasledovanje obeh umetniških gonov ter njun spoj pa je v tem oziru vrednoten kot ideal.

Keywords

filozofija;apolinično;dionizično;proces individualizacije;nemška književnost;magistrska dela;Hesse;Hermann;1877-1962;Literarne študije;"Demian";Nietzsche;Friedrich;"Rojstvo tragedije iz duha glasbe";

Data

Language: Slovenian
Year of publishing:
Typology: 2.09 - Master's Thesis
Organization: UL FF - Faculty of Arts
Publisher: [P. Vadas]
UDC: 1Nietzsche F.(043.2)
COBISS: 83939843 Link will open in a new window
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Downloads: 22
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Other data

Secondary language: English
Secondary title: Reaktualisation des Dionysischen
Secondary abstract: The present master's thesis puts forward the problem that occurs in Nietzsche's philosophical debut The Birth of Tragedy from the Spirit of Music, in which the author returns to the art of the ancient Greeks, based on the inherent dualities of the Apollonian and Dionysian. Nietzsche saw them as two fundamental creative drives, that are closely intertwined and complete their synthesis in the Attic tragedy. In the second part of the thesis, the paper applies Nietzsche’s philosophy on Hesse's work Demian. Drawing from Greek mythology and Nietzsche’s philosophy, I set myself to present the novel Demian as an attempt to re-actualize Nietzsche’s heritage and an example of nihilistic philosophy as understood by its creator. I start from the hypothesis that Apollonian and Dionysian drive interact with each other and the pursuit of their synthesis is seen as the highest ideal.
Secondary keywords: philosophy;Apollonian;Dionysian;individuation;German literature;
Type (COBISS): Master's thesis/paper
Study programme: 1000966
Embargo end date (OpenAIRE): 1970-01-01
Thesis comment: Univ. v Ljubljani, Filozofska fak., Oddelek za filozofijo, Oddelek za germanistiko z nederlandistiko in skandinavistiko
Pages: 65 f.
ID: 13826419
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