Sokol v italijanskih renesančnih upodobitvah

simbolni pomen ptice v slikarstvu, emblemskih knjigah in knjigah impres

Andreja Rijavec (Author), Tine Germ (Mentor)

Abstract

Pričujoče magistrsko delo preučuje sokola in njegov simbolni pomen v italijanskih renesančnih upodobitvah. Ptica je ljudi navdajala s prispodobami kreposti, lepega obnašanja kot tudi slabosti. V srednjem veku je sokolova neustrašnost slikala pogum takratnih vitezov; sokolova zvestoba in vdanost sokolarju pa v krščanskem okolju postane simbol za vdanega vernika in celo Boga. V času renesanse so sokoli potrjevali oblast, politično moč ter plemenitost trgovcev in bankirjev. Podoba ujede je imela močno zakoreninjen simbolni pomen, ki je širši javnosti že od daleč namigoval na človekov visok statusni položaj v družbi, plemiške korenine, ponižnega vernika, zglednega človeka, njegovo plemenitost, čast in pravičnost. Piero de Medici in Giorgio Cornaro sta s podobo sokola širši javnosti sporočala njun statusni položaj v družbi. Piero si je sokola izbral za svojo osebno simbolno žival in je z ujedo nakazoval na legitimno nasledstvo, vpliv ter moč. Sokol na Cornarovem zapestju je prispodoba za vztrajnost in mladeničevo prizadevanje za napredovanje v političnih krogih. Sokol je v spremnih verzih Alciatijevega emblema prispodoba za posameznika, ki je v dejanjih in osebnostno boljši, plemenitejši od sovrstnika. Ujeda v knjigi impres pripoveduje o pomembnem zgodovinskem dogodku in dobrih lastnostih viteza Riccarda Scelleja.

Keywords

umetnostna zgodovina;renesančna umetnost;ikonografija;sokol;portreti;Italija;diplomska dela;Podnar;Gregor;1970-;

Data

Language:	Slovenian
Year of publishing:	2021
Typology:	2.09 - Master's Thesis
Organization:	UL FF - Faculty of Arts
Publisher:	[A. Rijavec]
UDC:	75.034.0:598.2(450)(043.2)
COBISS:	84957699
Views:	161
Downloads:	30
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	FALCON IN RENAISSANCE DEPICTIONS: Symbolical Meaning of the Bird of Prey in Paintings, Emblem Books and Impresa Books.
Secondary abstract:	This master’s thesis studies the falcon and its symbolic significance in the Italian Renaissance depictions. The people of that time saw in the animal the parables of virtue, good manners as well as weaknesses. In the Middle Ages the falcon's fearlessness represented the courage of the knights. In Christianity its fidelity and devotion to the falconer became a symbol for a devoted believer and even God. During the Renaissance the falcons symbolized authority, political power and the nobility of merchants and bankers. The image of the bird of prey had a deep-rooted symbolical meaning, which alluded to a man's high social status, aristocracy, well-mannered and faithful man or his nobility, honour and justice. With the falcon, Piero de Medici and Giorgio Cornaro, indicated their social position in the city. Piero chose the falcon as his representative animal. The bird of prey was a symbol of his legitimate succession, political influence and power. The falcon on Cornaros wrist was a metaphor for perseverance and the young man’s advancement in political circles. In accompanying verses of Alciatis emblem, the falcon represents someone who is noble and better in deeds than his peers. The bird of prey, in the impresa book, narrates an important historical event and nobility of the knight Riccardo Scellei.
Secondary keywords:	art history;Renaissance art;iconography;falcon;potrait;Italy;
Type (COBISS):	Master's thesis/paper
Study programme:	1000995
Embargo end date (OpenAIRE):	1970-01-01
Thesis comment:	Univ. v Ljubljani, Filozofska fak., Oddelek za umetnostno zgodovino
Pages:	64 f.
ID:	13826439