Simbolna vizualizacija in dve identiteti Evrope

Abstract

Članek problematizira idejo o obstoju enotnega evropskega kulturnega prostora po letu 1989, ki naj bi ga na simbolni ravni reprezentiralo navidezno sovpadanje historičnih vsebin vzhodne Evrope in tržnih modelov zahodnoevropskeekonomske logike. Na podlagi selektivnega izbora in interpretacije vizualnih praks (filma, oglasov in kulturnih simbolov) kot političnih in kulturnih idej reprezentacije, avtorica zagovarja tezo o kontinuiteti v zaznavi "drugosti" med Zahodno- in Vzhodnoevropejci. Prisotnosttako imenovane simbolne (metaforične) železne zavese med zahodno in vzhodno Evropo je aplicirana na študijo primera identitetno razdvojene Nemčijepo padcu berlinskega zidu. Kritični pristop h konceptu medkulturne komunikacije je po avtoričinem mnenju, predpogoj vzpostavljanja odprte, raznolike in vitalne združene Evrope.

Keywords

Vizualizacija;Simboli;Identiteta;Evropa;

Data

Language:	Slovenian
Year of publishing:	2005
Typology:	1.01 - Original Scientific Article
Organization:	UL FDV - Faculty of Social Sciences
UDC:	316.7
COBISS:	24243549
ISSN:	0040-3598
Parent publication:	Teorija in praksa
Views:	630
Downloads:	122
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	Unknown
Secondary abstract:	The article problematizes the idea of united European cultural space after 1989, symbolically represented in apparent coincidence of East-European historical contents with market models of West-European economical logic. On the basis of selective assortment and interpretation of visual practices (film, advertisements and cultural symbols) as political and cultural ideas of representation the authoress advocates the thesis about the continuative perception of "the otherness" between West and East Europeans. The presence of the so-called symbolical (metaphorical) iron curtain between Western and Eastern Europe is illustrated by the case study of Germany and its split of identity after the fall of the Berlin wall. Critical approach to the concept of intercultural communication is according to the authoress prerequisite for the construction of the united Europe as an open, diversified and vital entity.
Secondary keywords:	Visualization;Symbols;Identity;Europe;
Type (COBISS):	Not categorized
Pages:	str. 387-407
Volume:	ǂLetn. ǂ42
Issue:	ǂšt. ǂ2/3
Chronology:	apr./jun. 2005
Keywords (UDC):	social sciences;družbene vede;sociology;sociologija;sociology of culture;cultural context of social life;sociologija kulture;
ID:	1467938