Abstract
Neprestano večanje števila oglaševalcev in širjenje oglaševalskega prostora že presegata receptivne sposobnosti naslovnikov, zato je ob tolikšni zasičenosti z oglasi vse težje zbuditi pozornost naslovnikov. Prispevek predstavlja poseben tip novotvorjenk v tiskanih oglasih, imenovanih grafoderivati, ki za učinkovanje uporabljajo grafične in ortografske prvine. Na podlagi zbranega gradiva bo podrobneje predstavljena njihova tipologija glede na uporabo in kombiniranje različnih pisnih znamenj (ABCČDZS, priseb(n)i, M!ZA, Remisliti, TISati, nezNOSen, ?mega, 3OR24 2N4N?4, Bank@Net ipd.) ter opredeljena njihova vloga, ki je večinoma estetska, čustvena ali intelektualna. Grafoderivati pogosto konkretizirajo bodisi oglaševalca bodisi oglaševano, včasih pa so le rezultat besedne igre v vlogi pritegnitve pozornosti. Vsekakor pa je v njih mogoče prepoznati težnjo po vse večji vizualizaciji oglasne komunikacije.
Keywords
besedotvorje;novotvorjenke;grafoderivati;tiskani oglasi;Oglaševanje;Oglasi;Besediloslovje;
Data
Language: |
Slovenian |
Year of publishing: |
2009 |
Typology: |
1.01 - Original Scientific Article |
Organization: |
UM FF - Faculty of Arts |
Publisher: |
Fakulteta za sociologijo, politične vede in novinarstvo v Ljubljani |
UDC: |
81'373.611:659.1 |
COBISS: |
29071965
|
ISSN: |
0040-3598 |
Parent publication: |
Teorija in praksa
|
Views: |
727 |
Downloads: |
265 |
Average score: |
0 (0 votes) |
Metadata: |
|
Other data
Secondary language: |
English |
Secondary title: |
Graphoderivatives in printed advertisements |
Secondary abstract: |
The ever increasing number of advertisers and the expansion of advertising space has already exceeded receptive capabilities of addressees; this is the reason why arousing addressees' attention is becoming a more and more demanding task. The article presents a special type of nonce words in printed advertisements, called graphoderivatives, which use graphic and orthographic elements to achieve effectiveness. Their typology will be presented in detail based on collected materials, according to the usage and combinations of various written signs (ABCČDZS, priseb(n)i, M!ZA, Remisliti, TISati, nezNOSen, ?mega, 3OR24 2N4N?4, Bank@Net ipd.), and their role, which is mostly aesthetic, emotional or intellectual, will be defined. Graphoderivatives often reflect the advertiser or the advertised product itself, but sometimes they are just a pun aimed at attracting attention. However, it is possible to identify the tendency towards their increasing visualisation in advertising communication. |
Secondary keywords: |
word-formation;nonce words;graphoderivatives;printed advertisments;Advertising;Advertisements;Text linguistics; |
URN: |
URN:NBN:SI |
Type (COBISS): |
Not categorized |
Pages: |
str. 826-838 |
Volume: |
ǂLetn. ǂ46 |
Issue: |
ǂšt. ǂ6 |
Chronology: |
nov.-dec. 2009 |
Keywords (UDC): |
language;linguistics;literature;jezikoslovje;filologija;književnost;linguistics and languages;jezikoslovje in jeziki;applied sciences;medicine;technology;uporabne znanosti;medicina;tehnika;communication and transport industries;accountancy;business management;public relations;komunikacije in transport;knjigovodstvo;poslovni menedžment;stiki z javnostjo;publicity;information work;public relations;stiki z javnostjo;reklama;publicity;advertising;oglaševanje; |
ID: |
1469965 |