Odstopanja od motošportne fotografije

diplomsko delo

Luka Carlevaris (Author), Luka Dekleva (Mentor), Tadej Žnidarčič (Mentor)

Abstract

Diplomsko delo Odstopanja od motošportne fotografije obravnava dva žanra športne fotografije. Naloga je razdeljena na dva dela. Ker je v središče praktičnega dela diplome postavljena tema avtomobilističnih dirk, prvi del govori o motošportu in fotografiji, ki se ukvarja s tem področjem. Predstavlja njen razvoj od začetka do danes. Dotika pa se tudi njenega tehnološkega razvoja. Pri izdelavi fotografske serije ni bila uporabljena klasična reportažna fotografija, zato se drugi del posveča osebnemu pristopu fotografiranja športa, katerega končni izdelki so konceptualna dela, ki jih nismo vajeni videvati v medijih in reklamah, saj ne prikazujejo vrhuncev športnega dogajanja in zmagovalcev. Za temo raziskovanja je bilo določeno, kako lahko fotograf predstavi samega sebe skozi fotografijo športa. Namen je, da bi bralec spoznal, da je fotografska serija, ki na prvi pogled ni umetniške narave, lahko osebno izpovedna. Po teoretičnem delu sledi opis praktičnega dela diplomske naloge, fotografske serije z naslovom Barve hitrosti. Ta ne predstavlja motošporta kot takega, ampak avtorja in njegov pogled kot oboževalca tovrstnega športa, ki ne posveča pozornosti zgolj avtom in dirkačem, temveč tudi gledalcem, mehanikom, atmosferi in detajlom.

Keywords

diplomske naloge;športna fotografija;motošportna fotografija;avtomobilistične dirke;drugačen pristop;fotografska serija;

Data

Language:	Slovenian
Year of publishing:	2022
Typology:	2.11 - Undergraduate Thesis
Publisher:	[L. Carlevaris]
UDC:	77.04
COBISS:	113638147
Views:	584
Downloads:	46
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Deviations from Motorsports Photography
Secondary abstract:	Thesis Deviations from Motorsports Photography deals with two genres of sports photography. The task is divided into two parts. As the topic of motor racing is placed at the center of the practical part of the diploma, the first part talks about motorsport and photography, which deals with this field. It represents its development from the beginning to the present day. It also touches on its technological development. Classic reportage photography was not used in the production of the photo series, so the second part focuses on a personal approach to sports photography, whose end products are conceptual works that we are not used to seeing in the media and advertisements. The topic of the research was how a photographer can present himself through sports photography. The intention is for the reader to realize that a photographic series that is not at first glance of an artistic nature can be personally confessional. The theoretical part is followed by a description of the practical part of the diploma thesis, a photographic series entitled Colors of Speed. This does not represent motorsport as such, but the author and his view as a fan of this kind of sport, which pays attention not only to cars and racers, but also to spectators, mechanics, atmosphere and details.
Secondary keywords:	Sports photography;motorsport photography;car racing;a different approach;photographic series.;
URN:	URN:SI:UNG
Type (COBISS):	Bachelor thesis/paper
Thesis comment:	Univ. v Novi Gorici, Akademija umetnosti
Pages:	99 str.
ID:	15822788