Marta Cmiel (Author)

Abstract

Prispevek je posvečen strokovni recepciji poezije Antona Podbevška, Srečka Kosovela in Alojza Gradnika v obdobju med obema vojnama (1918−1941). Opisuje glavne poteze modela literarne kritike, prevladujočega v dvajsetih letih 20. stoletja, ki ga imenujem moderno-ekspresionistični. Cilj analize kritiškega diskurza je odgovor na vprašanje, kakšne oblike pesništva so bile institucionalno spodbujane in kakšne odklanjane. Raziskovanje ključnih pojmov interpretativne skupnosti daje vpogled v takratno razumevanje poezije.

Keywords

ekspresionistična poezija;medvojno obdobje;literarna kritika;interpretativna skupnost;avtorjeva figura;Podbevšek;Anton;1898-1981;

Data

Language: Slovenian
Year of publishing:
Typology: 1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization: UL FF - Faculty of Arts
UDC: 821.163.6-1.09
COBISS: 95773955 Link will open in a new window
Views: 24
Downloads: 24
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Other data

Secondary language: English
Secondary abstract: The subject of this paper is the professional interpretation of the poetry of Anton Podbevšek, Srečko Kosovel and Alojz Gradnik in the interwar period (1918-1941). It presents the characteristic of the modernist-expressionist model of literary criticism, which was predominant in the 1920s. The main object of the discursive analysis of critical texts is to answer which forms of poetry were institutionally supported and which were rejected. The analysis of the key concepts of the interpretive community provides insight into its way of understanding the poetry.
Secondary keywords: expressionist poetry;interwar period;literary criticism;interpretive communities;figure of the author;Kosovel;Srečko;1904-1926;Gradnik;Alojz;1882-1967;Slovenska poezija;
Pages: Str. 399-405
DOI: 10.4312/Obdobja.40.399-405
ID: 15849485