Dejavnost Fotokluba Ljubljana med obema vojnama

fotografija v iskanju nacionalnega izraza

Hana Čeferin (Author), Rebeka Vidrih (Mentor)

Abstract

Predmet pričujoče magistrske naloge je raziskava dejavnosti Fotokluba Ljubljana med letoma 1931 in 1941, od ustanovitve do prekinitve delovanja z nastopom druge svetovne vojne. Prva polovica naloge je posvečena aktivnostim Fotokluba s poudarkom na okoliščinah ustanovitve, vsebinskih nalogah kluba in njegovih članih. Razčleniti poskušam tudi njihovo obsežno razstavno dejavnost, znotraj katere najbolj izstopajo tri mednarodne fotografske razstave, ki jih je klub organiziral leta 1934 (Hedžet–Koritnikova palača), 1936 (Jakopičev paviljon) in 1938 (Ljubljanski velesejem). Drugi del magistrske naloge obravnava tematiko fotografij članov Fotokluba in njihovo iskanje nacionalnega izraza v idiličnih motivih slovenske krajine. Skozi analizo motivov in primerjave z drugimi evropskimi državami poskušam v nalogi slediti zapletenim odnosom med umetnostjo in politiko, obenem pa raziskati pozicijo medija fotografije znotraj sfere umetnosti v tridesetih letih. Raziskava temelji na obstoječi literaturi, arhivskem materialu ter sočasnih zapisih v časopisju.

Keywords

umetnostna zgodovina;slovenska umetnost;fotografija;Fotoklub;

Data

Language:	Slovenian
Year of publishing:	2022
Typology:	2.09 - Master's Thesis
Organization:	UL FF - Faculty of Arts
Publisher:	[H. Čeferin]
UDC:	77.04(497.4)"1931/1941"(043.2)
COBISS:	132549635
Views:	60
Downloads:	33
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	The activity of Fotoklub Ljubljana between the world wars: Photography in search of a national expression
Secondary abstract:	The following thesis is an exploration of the activities of Fotoklub Ljubljana, a photography club active between 1931 and 1941, until their activities were interrupted by World War II. The first half of the thesis is dedicated to Fotoklub itself, their activities and the circumstances of their founding, their tasks and members. I will attempt to dissect their extensive exhibition activities, in which three international photography exhibitions are a clear stand out – the ones the club organised in 1934 (Hedžet–Koritnik palace), 1936 (Jakopič pavillion) and 1938 (Ljubljanski velesejem). The second part of the thesis is dedicated to the research of the motifs Fotoklub members employed and their search for national expression through idyllic, romaticized scenes of the Slovene landscape. By analysing what is depicted and comparing it with other European countries, I attempt to follow the complex relations between art and politics, while investigating the position of photography as a medium in a wider context of art in the thirties. The research is based on existing literature, archival material and articles published in contemporary newspapers and magazines.
Secondary keywords:	art history;Slovenian art;photography;Fotoklub;
Type (COBISS):	Master's thesis/paper
Study programme:	0
Embargo end date (OpenAIRE):	1970-01-01
Thesis comment:	Univ. v Ljubljani, Filozofska fak., Oddelek za umetnostno zgodovino
Pages:	173 str.
ID:	16965168