Vloga teksture pri asemblažu

diplomsko delo

Lara Ališić (Author), Beatriz Tomšič-Čerkez (Mentor)

Abstract

Odnos med vidom in tipom je veliko bolj povezan, kot se večina ljudi zaveda. Ob pogledu na material, s katerim smo v preteklosti že bili seznanjeni, imamo občutek, da ta material dejansko tipamo. Iz tega lahko sklepamo, da je tip pomemben dejavnik pri ustvarjanju likovne umetnosti. Čut tipa je v likovni umetnosti povezan predvsem z likovno spremenljivko teksturo. Uporaba teksture se je skozi zgodovino likovne umetnosti spreminjala. Umetniki v večini zgodovinskih obdobij so stremeli k čimbolj realistični reprezentaciji motivov. Z nastopom moderne in sodobne umetnosti pa so umetniki pridobili veliko več ustvarjalne svobode, kar se kaže tudi pri uporabi teksture. Pri modernistih lahko opazimo vedno večjo drznost v ustvarjanju. Kot eno izmed prelomnih točk v zgodovini likovne umetnosti lahko štejemo izum kolaža. Ta je umetniku dovolil povsem drugačen način izražanja. Umetniki, ki so se osredotočili delati s kolažem, so začeli uporabljati vsakdanje in odvržene predmete. Kolaž pa je čez čas prerasel v svojo tridimenzionalno različico – asemblaž. Kolaž in asemblaž sta močno povezana z likovno spremenljivko teksturo, saj oba omogočata neposredno uporabo naravne teksture.

Keywords

tekstura;tip;likovna spremenljivka;likovni materiali;likovne tehnike;

Data

Language:	Slovenian
Year of publishing:	2022
Typology:	2.11 - Undergraduate Thesis
Organization:	UL PEF - Faculty of Education
Publisher:	[L. Ališić]
UDC:	745.54(043.2)
COBISS:	128217603
Views:	2
Downloads:	0
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Role of texture in assemblage
Secondary abstract:	The relation between sight and the sense of touch is more connected than most people realize. Observing a material that we have previously experienced touching, gives our body the illusion that we are feeling it. Therefore, we can suggest that the sense of touch is an important factor to consider when making art. Touch in the creative process is most commonly associated with the art variable of texture. The use of texture through art history has been ever-changing. Artists were striving to achieve the most realistic representation of objects for the majority of art movements before the 20th century. However, with the emergence of modern and contemporary art movements, artists gained more creative freedom which is also evident in their use of texture. One of the more daring steps in modern art was the invention of collage which allowed a completely different mode of expression. Collage eventually gained its three-dimensional counterpart – assemblage. Collage and assemblage are greatly connected with the art variable of texture as both art forms allow the use of actual texture.
Secondary keywords:	Likovna vzgoja in izobraževanje;Asemblaži;Kolaž;Univerzitetna in visokošolska dela;
File type:	application/pdf
Type (COBISS):	Bachelor thesis/paper
Thesis comment:	Univ. v Ljubljani, Pedagoška fak., Likovna pedagogika
Pages:	65 str.
ID:	17009835