Pot k strukturam slikarske površine

diplomsko delo

Emilija Podjavoršek (Author), Ludvik Pandur (Mentor)

Abstract

Struktura slikarske površine določa razporeditev in razmerje posameznih elementov slike, katere zgradbo sestavljajo. V likovni umetnosti je struktura slikarske površine način, na katerem se gradi posamezna celota slike, formiran s povezovanjem svojih delov in pomeni tudi vidne procese pri nastanku umetniškega dela. Slikarstvo je področje likovnega ustvarjanja, ki ima za osnovo ploskev, na kateri slikar gradi kompozicijo s pomočjo barv, ploskev in linij. Slikarstvo se je skozi različna zgodovinska obdobja spreminjalo in razvijalo. V zgodovini je bila raba barve med drugim odvisna tudi od razvoja slikarskih tehnik. Izbira slikarske tehnike je odvisna od slikarske podlage oziroma nosilca. Skozi zgodovino slikarstva je umetnik izbiral različne nosilce. V klasičnem slikarstvu je poudarek na homogenem gibanju in nadgrajevanju. S pojavom abstraktnega slikarstva pa so se umetniki v svojih pogledih veliko bolj razhajali. Vsak umetnik je označil svoje ustvarjalno okolje, ločeno od drugih, ter ustvarjal kot posameznik in raziskovalec novih poti znotraj umetnosti. V današnjem času avtorji sočasno ustvarjajo v različnih slogih. Vsak se izraža v svojem avtorskem slogu in poetiki, ki najbolj ustreza njegovemu izrazu. V zadnjih letih delujejo avtorji, pri katerih še opazimo poudarek na fizičnih lastnostih slike. Nadaljujejo likovne izkušnje in združujejo postopke različnih umetnostnih zvrsti, ter se še vedno srečujejo z neformalnimi materiali, ki pa jih obravnavajo na samosvoj, individualen način.

Keywords

likovna umetnost;slikarstvo;površina;struktura;tehnike;abstraktno slikarstvo;umetniške smeri;Slovenija;diplomska dela;

Data

Language:	Slovenian
Year of publishing:	2009
Source:	Maribor
Typology:	2.11 - Undergraduate Thesis
Organization:	UM PEF - Faculty of Education
Publisher:	[E. Podjavoršek]
UDC:	73/76(043.2)
COBISS:	16972808
Views:	2792
Downloads:	436
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	THE PATH TO THE STRUCTURES OF THE PAINTING SURFACE
Secondary abstract:	The structure of a painting surface is defined by the arrangement and proportion of individual elements of the painting which compose its structure. In fine arts the structure of the painting surface represents the manner according to which individual elements of the whole painting are constructed, formed by linking its parts, and in which visible processes in the formation of a piece of art are of significant importance. The art of painting is a sphere of artistic creativeness that uses a flat surface as a basis on which the artist constructs his composition with the help of colours, surfaces and lines. Throughout different historical periods, the art of painting has been constantly developing and changing. In history, the use of colour has always depended on the development of painting techniques. The choice of a particular artistic technique has always depended on the painting surface and the support. Throughout the history of painting, the artists have been choosing different supports In classical painting the emphasis was on homogeneous movement and upgrading, while the representatives of the abstract painting differed much more in their views of the art. Every artist defined his own creative environment, separated from the others, and dedicated himself to creating art as an individual or a researcher of new ways within art. Nowadays, authors simultaneously choose different styles to create pieces of art. Each and everyone of them choose their own styles and poetics in which they can best express themselves. In regard to authors who are present in the following years, we can still notice an emphasis on the physical characteristics of the painting. They proceed with artistic experiences and unite procedures from different artistic genres, and still use informal materials, which are treated in an independent and individual way.
Secondary keywords:	the structure of a painting surface;painting techniques;abstract painting;art movements;Slovenian artistic field.;
URN:	URN:SI:UM:
Type (COBISS):	Undergraduate thesis
Thesis comment:	Univ. v Mariboru, Pedagoška fak., Oddelek za likovno umetnost
Pages:	138 f.
Keywords (UDC):	the arts;recreation;entertainment;sport;umetnost;razvedrilo;zabava;šport;plastic arts;likovna umetnost (kiparstvo in umetna obrt);
ID:	17848