Teorija barv v filozofiji in njihova vloga v likovnem snovanju

magistrsko delo

Zlata Bela (Author), Valentina Hribar Sorčan (Mentor), Blaž Zabel (Co-mentor)

Abstract

Magistrsko delo z naslovom Teorija barv v filozofiji in njihova vloga v likovnem snovanju se ukvarja s pojmom barva in različnimi pristopi oziroma koncepti uporabe barv. Raziskuje naravo barv, njihovo sestavo, vse do vpliva barv na naše vsakdanje življenje ter njihove snovne in nesnovne lastnosti v našem svetu. Z vprašanjem, kaj je barva, primerja trditve, pravila in zakonitosti nam znanih oziroma vidnih, pa tudi nevidnih barv, pri čemer se posamezne teze v nalogi naslanjajo na vidike določenih področij našega dojemanja in bivanja v svetu. Pri tem upošteva uveljavljene koncepte o barvah in njihovo uporabo. Naloga se opira na posamezna dela, trditve in zakonitosti, ki so jih zastavili izbrani avtorji, tako zgodovinski kot aktualni z različnih področij naravoslovnih in družboslovnih ved. V svoji nalogi ugotavljam, da so barve in naše dojemanje barv pravzaprav neločljiv del našega življenja, zato so nerazdružljivo povezane z našim bivanjem, načinom našega dojemanja sveta, podajajo simboliko življenja samega, nas samih kot družbeno čutečih bitij in nenazadnje naše življenjske vrednote.

Keywords

estetika;teorija barv;likovna umetnost;magistrska dela;

Data

Language:	Slovenian
Year of publishing:	2022
Typology:	2.09 - Master's Thesis
Organization:	UL FF - Faculty of Arts
Publisher:	[Z. Bela]
UDC:	7.017.4:1(043.2)
COBISS:	142091011
Views:	6
Downloads:	2
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Theory of Colors in Philosophy and Their Role in Fine Art Design
Secondary abstract:	The master's thesis entitled Theory of Colors in Philosophy and Their Role in Fine Art Design deals with the concept of color and various approaches or concepts of the use of colors. It explores the nature of colors, their composition, all the way to the impact of colors on our daily lives and their tangible and intangible properties in our world. With the question of what color is, it compares the claims, rules and laws of known or visible, as well as invisible colors, with individual theses based on aspects of certain areas of our perception and existence in the world. In doing so, it takes into account established concepts about colors and their use. The thesis is based on individual works, claims and laws set by selected authors, both historical and current in various fields of natural and social sciences. In my thesis I find that colors and our perception of colors are in fact an inseparable part of our lives, so they are inextricably linked to our existence, the way we perceive the world, give a symbolism of life itself, ourselves as socially sensitive beings and our life values.
Secondary keywords:	aesthetics;theory of colors;fine arts;
Type (COBISS):	Master's thesis/paper
Study programme:	0
Embargo end date (OpenAIRE):	1970-01-01
Thesis comment:	Univ. v Ljubljani, Filozofska fak., Oddelek za filozofijo
Pages:	101 str.
ID:	18027342