diplomsko delo
Iva Gustinčič (Author), Petra Varl (Mentor), Marjeta Ciglenečki (Co-mentor)

Abstract

V diplomskem delu sem se osredotočila na analizo del štirih umetnikov: Gustava Klimta, Alfonsa Muche, Takehika Inoueja in Tsukase Hoja. Izhajala sem iz predpostavke, da je na vse štiri posredno ali neposredno vplivala japonska umetnost in jim pomagala oblikovati lasten slog, zaradi katerega so prepoznavni na svojem področju. Japonizem, kot imenujemo vpliv japonske umetnosti na Evropo od leta 1860 naprej, je nedvomno zaznamoval tako Mucho kot Klimta s svojo ornamentiko, dolgimi linijami in živimi barvami; na isti način, kot je sama japonska kultura vplivala na Hoja in Inoueja. V drugem delu bom analizirala lastni slog risanja skozi ilustracije in stripe, zbrane in natisnjene v publikacijo, ki je nastala kot praktični del diplomskega dela, ob tem pa poskušala ugotoviti, na kakšen način je vsak izmed obravnavanih umetnikov vplival na razvoj moje risbe.

Keywords

likovna umetnost;japonizem;stripi;risbe;secesija;diplomska dela;

Data

Language: Slovenian
Year of publishing:
Source: Maribor
Typology: 2.11 - Undergraduate Thesis
Organization: UM PEF - Faculty of Education
Publisher: [I. Gustinčič]
UDC: 73/76(043.2)
COBISS: 17680904 Link will open in a new window
Views: 2634
Downloads: 207
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Other data

Secondary language: English
Secondary title: FROM DRAWINGS TO COMICS
Secondary abstract: The present degree paper focuses on the analysis of the work of four artists, i.e. Gustav Klimt, Alfons Mucha, Takehiko Inoue and Tsukasa Hojo. It is based on the presupposition that all four artists have directly or indirectly been influenced by Japanese art which helped them develop their personal style by which they became recognizable in their sphere of creativity. Japonisme, as the impact of Japanese art in Europe in the period following 1860 is termed, has undoubtedly marked Mucha's, as well as Klimt's work with its ornamentalism, elongated lines and vivid colours. Much in the same way the influence of Japanese culture is visible in Hojo's and Inoue's art. In the second part of the degree paper my own drawing style is analysed by reference to the illustrations and drawings which have been collected and published in a publication forming the practical part of my degree paper. In this part I will try to identify the ways in which each of the above mentioned artists has influenced the development of my own drawing style.
Secondary keywords: JAPONISME;COMICS;DRAWING;SECESSION (ART NOUVEAU);TSUKASA HOJO;TAKEHIKO INOUE;GUSTAV KLIMT;ALFONS MUCHA;
URN: URN:SI:UM:
Type (COBISS): Undergraduate thesis
Thesis comment: Univ. v Mariboru, Pedagoška fak., Oddelek za likovno umetnost
Pages: 71 f.
Keywords (UDC): the arts;recreation;entertainment;sport;umetnost;razvedrilo;zabava;šport;plastic arts;likovna umetnost (kiparstvo in umetna obrt);
ID: 18529
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