Abstract
V konsih Sferično zrcalo in Srce v alkoholu, ki sta predmet te razprave, ter drugih ne gre za likovno poezijo, temveč za odpiranje v neevklidske prostore in za protigravitacijsko problematiko. Pri tem so bile Kosovelove pobude med drugim einsteinovska fizika, postevklidska geometrija in ruski konstruktivizem, na temelju katerih je Kosovel ustvaril konse, ki zahtevajo gibljivo gledanje namesto tradicionalno vzročno-posledičnega razpoznavanja tematskega gradiva.
Keywords
slovenska književnost;slovenska poezija;literarna avantgarda;konstruktivizem;prostorska pesem;kons;Kosovel;Srečko;1904-1926;
Data
Language: |
Slovenian |
Year of publishing: |
2014 |
Typology: |
1.16 - Independent Scientific Component Part or a Chapter in a Monograph |
Organization: |
UL FF - Faculty of Arts |
UDC: |
821.163.6.09-1Kosovel S. |
COBISS: |
55943522
|
Views: |
6 |
Downloads: |
0 |
Average score: |
0 (0 votes) |
Metadata: |
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Other data
Secondary language: |
English |
Secondary abstract: |
Kosovel's original poetic forms, such as the conses Spherical Mirror and Heart in Alcohol, which are the focus of this analysis, are not visual poetry: they open up into non-Euclidian space and address questions of anti-gravity. Kosovel found impulses for his work in Einsteinian physics, post-Euclidian geometry and Russian Constructivism. His conses induce mobile reading instead of the traditional cause-and-effect model of reading. |
Secondary keywords: |
ut pictura poiesis;visual poem;spatial poem;Constructivism;space;time;movement;Einstein;spherical geometry;Lissitzky;Ehrenburg;Khlebnikov; |
Type (COBISS): |
Article |
Pages: |
Str. 529-536 |
ID: |
19495850 |