Drame Josipa Tavčarja

Abstract

Dramatik Josip Tavčar razvija svoje slovenstvo v skladu z večkulturnostjo lastne identitete in se uveljavi med povojnimi tržaškimi besednimi ustvarjalci ob Borisu Pahorju in Alojzu Rebuli. Po uspehu svoje prve slovenske drame Prihodnjo nedeljo (1957) razgrne v drugem delu Pekel je vendar pekel (1959) odnos do sodobnega sveta in potrošniške družbe. Tavčarjevo opozarjanje na probleme zahodne civilizacije in na drsenje v brezizhodno situacijo reflektira njegovo samobitnost oziroma odgovorno bivanje v lastnem času in prostoru.

Keywords

slovenska književnost;slovenska zamejska književnost;slovenska dramatika;slovenski zamejski dramatiki;tržaški diskurz;večkulturnost;Tavčar;Josip;1920-1989;

Data

Language:	Slovenian
Year of publishing:	2012
Typology:	1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization:	UL FF - Faculty of Arts
UDC:	821.163.6(450).09-2Tavčar J.
COBISS:	50886498
Views:	4
Downloads:	0
Average score:	0 (0 votes)
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Other data

Secondary language:	English
Secondary abstract:	Josip Tavčar, a playwright who developed his Slovene consciousness in accordance with his multicultural identity made his mark among the post-war writers of Trieste, along with Boris Pahor and Alojz Rebula. After the successof his first Slovene drama Next Sunday (1957) he used his second work Hell is After All Hell (1959) to unfold his relationship to the modern world and the consumer society. In pointing out the problems of Western civilisation and the steady decline into a hopeless situation, Josip Tavčar reflected his personal authenticity or the responsibility of living in his own time and place.
Secondary keywords:	Josip Tavčar;post-war reconstruction;Trieste discourse;the »other« as a part of its own existence;multiculturalism;personal authenticity;
Type (COBISS):	Article
Pages:	Str. 145-151
ID:	19574804