Vprašanje socialističnega realizma v slovenski dramatiki

Abstract

Razprava skuša ponovno premisliti tezo Janka Kosa, da v slovenski dramatiki ne moremo govoriti o toku socialističnega realizma. Z analizo nekaterih osrednjih tekstov, ki so bili napisani za Delavske odre v tridesetih letih, partizansko gledališče med vojno in takoj po njej, se pokaže, da je bil tok socialističnega realizma vendarle prisoten v slovenski dramatiki. Obenem pa je zanimivo dejstvo, da je prav socialistični realizem predstavljal osnovo kritiki sistema, ki se je pojavila sredi petdesetih let. Najbolj očitno prav v dramah Igorja Torkarja, Primoža Kozaka, Dušana Jovanovića in Rudija Šeliga, ki nadalje razvijajo realistično-naturalistično dramaturgijo.

Keywords

slovenska dramatika;socialistični realizem;partizansko gledališče;agitprop;Kreft;Bratko;1905-1996;

Data

Language:	Slovenian
Year of publishing:	2012
Typology:	1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization:	UL FF - Faculty of Arts
UDC:	821.163.6-2.09:316.75(497.1)"193/195"
COBISS:	50400354
Views:	4
Downloads:	0
Average score:	0 (0 votes)
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Other data

Secondary language:	English
Secondary abstract:	This paper discusses Janko Kos's thesis that the history of Slovene drama doesnot include socialist realism. Through analysis of several plays written for the Worker's Stage in the 1930s, and the Partisan agitprop theatre of the 1940s it becomes evident that socialistic realism, with a hero who leads the society to a better future, is also present in Slovene dramatic literature. It is notable that these plays represented a basis for the social criticism that emerged in the mid-1950s with the plays by Igor Torkar, Primož Kozak, Dušan Jovanović and Rudi Šeligo. Those were based on realist-naturalist dramaturgy, but criticised the basic structure of socialistic agitprop theatre and its main dramatis personae.
Secondary keywords:	Slovene drama;socialistic realism;
Type (COBISS):	Article
Pages:	Str. 245-351
ID:	19574828