Slikarstvo koroške smeri pozne mednarodne gotike na Slovenskem

magistrsko delo

Katarina Richter (Author), Samo Štefanac (Mentor)

Abstract

Slikarstvo poznega mednarodnega mehkega sloga izvorno prihaja z avstrijske Koroške, natančneje iz delavnice mojstra Friderika Beljaškega. Tudi na Slovenskem predstavlja eno izmed pomembnejših smeri stenskega slikarstva sredine 15. stoletja. Magistrska naloga je zasnovana kot prvi samostojen pregled slikarstva poznega mednarodnega mehkega sloga na Slovenskem. V tem okviru je največ poudarka namenjenega stenskemu slikarstvu območja današnje Gorenjske ter delom Mojstra Srednje vasi in Žirovniškega mojstra, tamkajšnjih protagonistov svojega časa. Posledično Janez Ljubljanski ni natančneje obravnavan. Njegovo delo namerno ostaja ob strani, saj bi kot najbolje raziskan slikar z največjim opusom zahteval levji delež pozornosti na račun ostalih mojstrov poznega mehkega sloga. Cilj naloge je prav tako na enem mestu zbrati ažuren pregled pričujoče vsebine, vključiti vse relevantne poslikave in nova odkritja ter prevetriti dosedanje znanje in ustaljena prepričanja glede Mojstra Srednje vasi, Žirovniškega mojstra ter na primerih posameznih poslikav in izbranih problemov.

Keywords

umetnostna zgodovina;pozna mednarodna gotika;slovensko slikarstvo;Žirovniški mojster;Mojster bohinjskega prezbiterija;magistrska dela;

Data

Language:	Slovenian
Year of publishing:	2023
Typology:	2.09 - Master's Thesis
Organization:	UL FF - Faculty of Arts
Publisher:	[K. Richter]
UDC:	75.033.5(497.4)(043.2)
COBISS:	166219267
Views:	57
Downloads:	12
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Carinthian Painting of the Late International Soft Style in the Slovene Lands
Secondary abstract:	The painting of the Late International Soft Style originates from the Austrian region of Carinthia, more precisely from the workshop of Master Friedrich of Villach. Even in the Slovene lands, it represents one of the most important trends in fresco painting of the mid-15th century. The Master's Thesis is conceived as the first independent comprehensive synthesis regarding the topic of Late International Soft Style wall paintings in the Slovene lands. Within this context, the greatest emphasis is placed on the wall painting of modern-day Carniola and the works of the Master of Srednja vas and the Master of Žirovnica, the local protagonists of their time. As a result, Johannes of Ljubljana is not discussed in detail. His work is deliberately left aside because as the best-studied painter with the largest oeuvre, he would demand the lion's share of attention at the expense of the other masters of the Late International Soft Style. The goal of the thesis is also to compile an up-to-date overview of the thesis topic and to gather all of the available information in one place, as well as to include all the pertinent wall paintings, new discoveries, and to challenge the current knowledge and established beliefs regarding the Master of Srednja vas, the Master of Žirovnica, and regarding some individual examples of wall painting cycles and selected problems.
Secondary keywords:	art history;late international soft style;Slovenian painting;Master of Žirovnica;Master of the Bohinj presbytery;Slovenia;
Type (COBISS):	Master's thesis/paper
Study programme:	0
Embargo end date (OpenAIRE):	1970-01-01
Thesis comment:	Univ. v Ljubljani, Filozofska fak., Oddelek za umetnostno zgodovino
Pages:	222 str.
ID:	19646371