Manifestacija zla v romanu Samostan

magistrsko delo

Ana Rakovec (Author), Tomo Virk (Mentor), Blaž Podlesnik (Mentor)

Abstract

Magistrsko delo odpira vprašanje manifestacije zla v sodobnem ruskem romanu Zaharja Prilepina Samostan (rus. Обитель), ki je v Rusiji dosegel tako literarnovedno kot kritiško in bralsko naklonjenost. Roman posega po taboriščni tematiki in zvrstno sodi v kontekst taboriščne proze, pri čemer se pomembno razlikuje od del klasične taboriščne proze. Z reinkarnacijo tradicionalne ruske teme in motivov Prilepin ustvarja svojo verzijo resnice na kompleksnejša historična vprašanja gulaga, katerega izkušnja v ruskem prostoru nikoli ni bila celostno reflektirana. Odtujeni položaj pripovedovalca mu omogoča, da v taboriščni svet vnaša več ekspresivnih in pustolovskih elementov, celo ljubezenskih intrig, zaradi česar se roman približuje popularnim žanrskim shemam in oddaljuje od dokumenta časa. Upoštevajoč etiko drugosti in etično branje literature, se magistrsko delo osredotoča na, glede na prevladujočo izbiro taboriščne tematike, vpliv izstopajočih žanrskih shem (pikareskne in pustolovske), na analizo, razumevanje in sporočilnost romana. Problematizirana je banalizacija medčloveškega zla v človeškem peklu, kakršnega je v ruski zgodovini predstavljal gulag. Nenazadnje način predstavitve zla in njegova percepcija nakazujeta na prevladujoči duh časa, kjer bralca zlo ne gane več, temveč v njem vidi »običajnost« in »normalnost«, »všečnost« in »pustolovskost«, medtem ko se ob branju napete zgodbe celo sprosti in zabava.

Keywords

literatura in etika;ruska književnost;nova taboriščna proza;gulag;človeško zlo;banalnost zla;magistrska dela;Prilepin;Zahar;1975-;"Samostan";

Data

Language:	Slovenian
Year of publishing:	2023
Typology:	2.09 - Master's Thesis
Organization:	UL FF - Faculty of Arts
Publisher:	[A. Rakovec]
UDC:	821.161.1.09Prilepin Z.
COBISS:	162580995
Views:	79
Downloads:	20
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Projavlenie zla v romane Obitelʹ
Secondary abstract:	The master's thesis opens the question of the manifestation of evil in Zakhar Prilepin's contemporary Russian novel The Abode (rus. Обитель), which has in Russia achieved both literary and critical affection, as well as readers sympathies. The novel deals with the camp theme and fits into the context of camp prose, but it differs crucially from works of classical camp prose written by A. Solzhenitsyn and V. Shalamov. By reincarnating traditional Russian themes and motifs, Z. Prilepin applies his version of the truth to the complex historical issues of the Soviet Gulag, whose experience has never been comprehensively reflected in Russian society. The alienated position of the narrator (who has not experienced labour camp himself) allows him to introduce more expressive and adventurous elements into the camp world, even love intrigues, as a result of which the novel approaches popular genre schemes and moves away from the document of the time. Taking into account the ethics of otherness and the ethical reading of literature, the master's thesis focuses on the influence of outstanding genre schemes (picaresque and adventure) on the analysis, understanding, and message of the novel. In this thesis, the banalization of evil in the human hell of Gulag is problematized. The way we present evil today influences its perception and shows the prevailing spirit of the time. Many readers nowadays are no longer moved by the horror of absolute evil happening, furthermore, they see it simply as “normal” and “ordinary”, even “likable” and “adventurous”, having fun and enjoying the suspenseful story while reading such novels.
Secondary keywords:	literature and ethics;Russian literature;new camp prose;Soviet Gulag;human evil;banality of evil;
Type (COBISS):	Master's thesis/paper
Study programme:	1011041
Embargo end date (OpenAIRE):	1970-01-01
Thesis comment:	Univ. v Ljubljani, Filozofska fak., Oddelek za primerjalno književnost in literarno teorijo, Oddelek za slavistiko
Pages:	105 str.
ID:	19841881