Motiv gospe z gradu Shalott v opusu Johna Williama Waterhousa

diplomsko delo

Abstract

Pričujoče diplomsko delo se ukvarja s preučevanjem motiva Gospe z gradu Shalott v opusu angleškega slikarja Johna Williama Waterhousa. Viktorijanski umetnik je zgodbo o Gospe z gradu Shalott v razponu sedemindvajsetih let trikrat prenesel na slikarsko platno in ustvaril tri motivno, slogovno in ikonografsko različne upodobitve. V prvem delu naloge je predstavljen izvor legende, pri čemer je poseben poudarek namenjen lirični baladi Alfreda lorda Tennysona, ki je Waterhousu služila za literarno predlogo. Drugi del naloge se ukvarja z analizo upodobitev motiva skozi zgodovino, analizira Waterhousovo trojico del ter predstavi možnost interpretacije figure Gospe z gradu Shalott kot alegorijo za vlogo in usodo umetnika v viktorijanski družbi.

Keywords

umetnostna zgodovina;angleško slikarstvo;ikonografija;prerafaeliti;diplomska dela;Waterhouse;John William;1849-1917;

Data

Language:	Slovenian
Year of publishing:	2023
Typology:	2.11 - Undergraduate Thesis
Organization:	UL FF - Faculty of Arts
Publisher:	[A. Žura]
UDC:	75.04(420)(043.2)
COBISS:	165036291
Views:	27
Downloads:	11
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	The Motif of The Lady of Shalott in the Oeuvre of John William Waterhouse
Secondary abstract:	The object of this Bachelor Thesis is the study of the motif of The Lady of Shalott in the oeuvre of the english painter John William Waterhouse. The victorian artist depicted the story of The Lady of Shalott three times in the span of twenty-seven years and created three unique works of art, that differ from each other in terms of their motifs, style and iconography. In the first part, the origin of the legend is presented, with a special emphasis on Alfred Lord Tennyson's lyrical ballad, which served as a literary source for Waterhouse's depictions. The second part deals with the analysis of the depictions of the motif throughout history, analyses Waterhouse's three works and presents the possibility of interpreting the figure of The Lady of Shalott as an allegory of the role and fate of the artist in the Victorian society.
Secondary keywords:	art history;English painting;iconography;Pre-Raphaelites;
Type (COBISS):	Bachelor thesis/paper
Study programme:	1011026
Embargo end date (OpenAIRE):	1970-01-01
Thesis comment:	Univ. v Ljubljani, Filozofska fak., Oddelek za umetnostno zgodovino
Pages:	58 str.
ID:	19917111