Afirmacija afroameriške identitete kot odziv na naraščajoči rasizem

študija primera avdiovizualnega nastopanja pevke Beyoncé

Katja Gomboši (Author), Mojca Pajnik (Mentor), Andrej Škerlep (Co-mentor)

Abstract

Diplomsko delo temelji na analizi glasbenega videofilma Black Is King (2020) v povezavi z nedavnimi primeri policijskega nasilja nad temnopoltimi v Združenih državah Amerike. Besedilo v svojem teoretskem delu preučuje prakse močno prisotnega sistemskega rasizma, ki so služile kot povod gibanju Black Lives Matter. S pomočjo semiotike definiram retorične figure in znake, ki so produkt procesov označevanja. Multimodalni pristop pa omogoči interpretacijo simbolnih tekstov, ki so nastali z integracijo simbolizacije in različnih medijskih tehnologij. V raziskovalnem delu je moj glavni namen identificirati elemente, s katerimi se temnopolta ameriška pevka Beyoncé posveti slavljenju zgodovine črnskosti z namenom opolnomočenja Afroameričanov. Pozornost posvetim tudi subverzivnosti, preko katere avtorica v svojem filmu izziva dominantno ideologijo in se eksplicitno priduži aktivizmu. Skozi pripoved se v svojih umetniških projektih pokloni kolektivni črnski kulturi, svetovno pozornost pa usmeri proti še vedno aktualnemu vprašanju rasizma.

Keywords

Beyoncé;Black Lives Matter;policijsko nasilje;sistemski rasizem;subverzivnost;

Data

Language:	Slovenian
Year of publishing:	2023
Typology:	2.11 - Undergraduate Thesis
Organization:	UL FDV - Faculty of Social Sciences
Publisher:	[K. Gomboši]
UDC:	316.7:323.14(73)(043.2)
COBISS:	172955907
Views:	8
Downloads:	1
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Affirmation of African American Identity in Response to Rising Racism: A Case Study of the Audiovisual Performance of Singer Beyoncé
Secondary abstract:	The thesis is based on an analysis of the music video Black Is King (2020) in relation to recent cases of police violence against black people in the United States. In its theoretical part, the text examines the practices of deep systemic racism that have triggered the Black Lives Matter movement. Through semiotics, I define the rhetorical figures and signs that are the product of processes of signification. Taking a multimodal approach, I interpret the symbolic texts produced by integrating symbolization and different media technologies. In the research, my main aim is to identify the elements through which the black American singer Beyoncé dedicates herself to celebrating the history of blackness in order to empower African Americans. I also pay attention to the subversiveness through which the artist challenges the dominant ideology in her film and explicitly indulges in activism. Through the narrative, she pays homage to the collective black culture in her artistic projects and directs global attention towards the still-pressing issue of racism.
Secondary keywords:	Beyoncé;Black Lives Matter;police violence;systemic racism;subversiveness;Rasizem;Afroameričani;Glasbenice;Univerzitetna in visokošolska dela;
Type (COBISS):	Bachelor thesis/paper
Study programme:	0
Embargo end date (OpenAIRE):	1970-01-01
Thesis comment:	Univ. v Ljubljani, Fak. za družbene vede
Pages:	39 str.
ID:	21099560