Bill Viola

čas v videoumetnosti

Karla Pelko (Author), Rebeka Vidrih (Mentor)

Abstract

Namen zaključne seminarske naloge je preučiti slog ameriškega videoumetnika Billa Viole in v njegovem delu najti elemente obravnavanja časa, ki presegajo tradicionalno kinematografsko podobo ter uveljavljajo video kot samostojno avdio-vizualno umetniško disciplino. Element časa je raziskovan preko podrobne analize specifik video medija, Violinih lastnih zapisov ter teoretskih referenc Gillesa Deleuza in Raymonda Bellourja. Violino delo je pojasnjeno z uporabo Deleuzovega pojma podobe-kristala. Analiza štirih njegovih bolj znanih del razkriva, da je element časa v Violinem delu zaznaven skozi manipulacijo tehničnih sredstev medija in v temah, kot sta minevanje in cikličnost časa. Pojasnjeni so tudi dodatni specifični elementi, značilni za Violino delo, kot sta voda, zvok in izkušnja. Na koncu je s pomočjo teoretskih referenc dokazano, da je čas ključen za medij videoumetnosti.

Keywords

umetnostna zgodovina;videoumetnost;čas;diplomska dela;

Data

Language:	Slovenian
Year of publishing:	2024
Typology:	2.11 - Undergraduate Thesis
Organization:	UL FF - Faculty of Arts
Publisher:	[K. Pelko]
UDC:	7.038.53:791(043.2)
COBISS:	207995907
Views:	41
Downloads:	449
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Bill Viola: Time in Video Art
Secondary abstract:	The purpose of this thesis is to examine the style of American video artist Bill Viola and identify elements of time within his work that transcend traditional cinematic representation, establishing video as an independent audio-visual artistic discipline. The concept of time is explored through a detailed analysis of the specificities of the video medium, Viola's own writings, and theoretical references from Gilles Deleuze and Raymond Bellour. Viola's work is explained using Deleuze's concept of the crystal image. An analysis of four of his most well- known works reveals that the element of time in Viola's work is evident through the manipulation of the technical aspects of the medium and in themes such as the passage and cyclical nature of time. Additionally, other specific elements characteristic of Viola's work, such as water, sound, and experience, are explained. Ultimately, the thesis demonstrates, with the help of theoretical references, that time is essential to the medium of video art.
Secondary keywords:	art history;video art;time;Deleuze;Gilles;1925-1995;
Type (COBISS):	Bachelor thesis/paper
Study programme:	1011026
Embargo end date (OpenAIRE):	1970-01-01
Thesis comment:	Univ. v Ljubljani, Filozofska fak., Oddelek za umetnostno zgodovino
Pages:	39 f.
ID:	25050636