Izvajalska praksa sodobnega repertoarja za kljunasto flavto

magistrsko delo

Lina Herman (Author), Cveto Kobal (Mentor)

Abstract

Kljunasta flavta je bila v glasbi prisotna že od srednjega veka naprej. Skozi glasbeno zgodovino je prevzemala različne vloge vse do 19. stoletja, ko so jo nadomestili drugi inštrumenti. Na začetku 20. stoletja je sledilo ponovno odkritje historičnega repertoarja in kljunaste flavte, kar je vodilo v redefiniranje vloge tega inštrumenta v sodobni glasbi. V magistrskem delu je poseben poudarek na izvajalski praksi sodobnega repertoarja za ta inštrument. Pomemben del sodobne izvajalske prakse predstavljajo sodobne tehnike, s katerimi se nadgrajuje in eksperimentira s standardnimi načini igranja na inštrument. Z raznolikimi sodobnimi tehnikami se prav tako odpirajo možnosti inovativnih interpretacij modernih del, napisanih za kljunasto flavto. V sodobnem repertoarju za ta inštrument se pojavijo mnoge raznolike sodobne tehnike. V magistrskem delu so bila izbrana tri sodobna dela. Analizirali smo, katere tehnike smo zasledili v posamezni skladbi, kakšne so označbe in kako je obrazložena njihova izvedba. Naše ugotovitve smo primerjali v vseh treh delih in poiskali podobnosti ter razlike med njimi. Sodobne tehnike, ki smo jih zasledili v teh treh delih, smo analizirali z vidika interpretacije celotne skladbe ali posameznih delov. Na koncu so omenjene tudi možnosti vključevanja sodobnih tehnik pri pouku inštrumenta.

Keywords

magistrska dela;kljunasta flavta;sodobna glasba;izvajalska praksa;sodobne tehnike;

Data

Language:	Slovenian
Year of publishing:	2024
Typology:	2.09 - Master's Thesis
Organization:	UM PEF - Faculty of Education
Publisher:	[L. Herman]
UDC:	780.8:780.642.1(043.2)
COBISS:	211464451
Views:	0
Downloads:	10
Average score:	0 (0 votes)
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Other data

Secondary language:	English
Secondary title:	Performance Practice of Contemporary Repertoire for the Recorder
Secondary abstract:	The recorder was present in music since the Middle Ages. This instrument embodied different roles throughout music history up until 19th century when it was replaced by other instruments. At the beginning of 20th century, the recorder and historical music were rediscovered, which led to redefining the role of this instrument in contemporary music. In this master's thesis we focus on performance practice of contemporary repertoire for the recorder. Modern techniques play an imporant part in contemporary performance practice as they serve to develop and experiment with standard ways of playing on the instrument. Various modern techniques present possibilities of innovative interpretation of modern pieces for the recorder. We can find many modern techniques in contemporary repertoire for this instrument. Three modern works for the recorder were chosen for this master's thesis. We analysed various modern techniques, their symbols and notation, and their instructions for playing. We compared our findings across all three works to find differences and similarities. We also analysed these modern techniques in the context of interpretation of the work or its individual parts. We conclude by mentioning some of the possibilities of implementing modern techniques in a classroom.
Secondary keywords:	master theses;recorder;contemporary music;performance practice;modern techniques;Sodobna glasba;Kljunasta flavta;Univerzitetna in visokošolska dela;
Type (COBISS):	Master's thesis/paper
Thesis comment:	Univ. v Mariboru, Pedagoška fak., Oddelek za glasbo
Pages:	1 spletni vir (1 datoteka PDF (X, 72 str.))
ID:	25120867