Teorija o rasah v filozofiji kašmirskega šivaizma

Nika Drašković (Author), Nina Petek (Mentor)

Abstract

Diplomska naloga obravnava teorijo o rasi ali estetskem izkustvu znotraj sistema monističnega kašmirskega šivaizma, filozofskega sistema tantrične tradicije, ki kot ontološki temelj postavlja absolutno Zavest, kot Absolut pa boga Šivo, katerega temeljna narava je prav Zavest. Izhaja iz predpostavke, da se ontologija in estetika monističnega kašmirskega šivaizma tesno prepletata. Diplomsko delo se posebej osredotoči na doprinos Abhinavagupte, indijskega filozofa, mistika in estetskega teoretika iz druge polovice 10. in prve polovice 11. stoletja, k teoriji o rasi, in poudari njegov fenomenološki pristop k doživljanju estetskega izkustva. Osrednji del diplomske naloge skozi različne tematske sklope in bistvene elemente rase predstavi njegova izhodišča ter jih primerja s pozicijami njegovih predhodnikov, na čelu z Bharato, avtorjem dela Nāṭyaśāstra, enega najpomembnejših indijskih del o dramaturgiji. Diplomsko delo prav tako razpravlja o povezavi med estetskim izkustvom in osvoboditvijo, čemur se natančneje posveča na koncu, v poglavju o estetskem izkustvu spokojnosti, śānta rasi.

Keywords

indijska estetika;indijska filozofija;monistični kašmirski šivaizem;estetsko izkustvo;Abhinavagupta;diplomska dela;

Data

Language:	Slovenian
Year of publishing:	2024
Typology:	2.11 - Undergraduate Thesis
Organization:	UL FF - Faculty of Arts
Publisher:	[N. Drašković]
UDC:	233.3:111.852(043.2)
COBISS:	224659715
Views:	137
Downloads:	16
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	The Rasa Theory in the philosophy of Kashmir Shaivism
Secondary abstract:	The diploma thesis examines the Rasa Theory or the Aesthetic Experience within the framework of monistic Kashmir Shaivism, the philosophical system of the tantric tradition that takes Absolute Consciousness as its ontological foundation and identifies God Shiva, whose fundamental nature is Consciousness itself, as the Absolute. It is based on the assumption that the ontology and aesthetics of monistic Kashmir Shaivism are closely intertwined. The thesis focuses particularly on the contribution of Abhinavagupta, an Indian philosopher, mystic and aesthetic theorist of the second half of the 10th century and the first half of the 11th century, to Rasa Theory, and emphasises his phenomenological approach to aesthetic experience. The main part of the thesis presents his premises through various thematic sections and essential elements of Rasa, comparing them with the positions of his predecessors, notably Bharata, the author of the Nāṭyaśāstra, one of the most significant Indian works on dramaturgy. The thesis also explores the connection between aesthetic experience and liberation, elaborating on this topic in the concluding chapter on the aesthetic experience of serenity, śānta rasa.
Secondary keywords:	Indian aesthetics;Indian philosophy;monistic Kashmir Shaivism;aesthetic experience;Abhinavagupta;
Type (COBISS):	Bachelor thesis/paper
Study programme:	1000548
Embargo end date (OpenAIRE):	1970-01-01
Pages:	47 str.
ID:	25170989