Trpljenje v likovni umetnosti

magistrsko delo

Grega Križnar (Author), Jurij Selan (Mentor)

Abstract

V magistrskem delu raziskujem, kako ljudje doživljamo in razumemo umetniška dela, ki prikazujejo različne oblike trpljenja. Glavni cilj je bil ugotoviti, kako posamezniki povezujejo takšna umetniška dela s širšim kontekstom umetnosti in svojimi življenjskimi izkušnjami. V teoretičnem delu se osredotočam na to, zakaj je trpljenje del človeške izkušnje in kako se pojavlja v umetnosti. Analiziram šest izbranih umetniških del iz različnih zgodovinskih obdobij, ki prikazujejo tri glavne oblike trpljenja: telesno, duševno in kolektivno. V empiričnem delu sem z uporabo spletnega vprašalnika zbral podatke od 31 ljudi različnih starosti, od mladostnikov do starejših odraslih. Tako sem lahko primerjal, kako različne generacije razumejo umetnost, povezano s trpljenjem. Sodelujoči so odgovarjali na vprašanja o šestih umetniških delih (enakih kot v teoretičnem delu) in delili svoja mnenja o tem, kaj zanje pomeni trpljenje v umetnosti in vsakdanjem življenju. Odgovore sem analiziral tako kvalitativno kot kvantitativno, da bi ugotovil pogoste načine razmišljanja in doživljanja. Rezultati so pokazali, da ljudje trpljenje v umetniških delih razumejo predvsem skozi svoje osebne izkušnje in družbeni okvir, v katerem živijo. Umetnost se tako pokaže kot prostor, kjer trpljenje ni samo prikazano, ampak tudi razumljeno, bodisi z empatijo, simbolnim pomenom ali z razdalje, z neko kritično mislijo. Moje delo tako ponudi vpogled v to, kako umetnost lahko pomaga ljudem razmišljati o trpljenju kot delu človeške izkušnje in spodbuja osebno in čustveno refleksijo gledalca.

Keywords

umetnost;bolečina;izkušnja;

Data

Language:	Slovenian
Year of publishing:	2025
Typology:	2.09 - Master's Thesis
Organization:	UL PEF - Faculty of Education
Publisher:	[G. Križnar]
UDC:	73(043.2)
COBISS:	241174275
Views:	88
Downloads:	15
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Suffering in visual art
Secondary abstract:	In my master's thesis, I explore how people perceive and interpret works of art that depict different forms of suffering. The main objective was to understand how individuals relate such artworks to the broader context of art and to their own life experiences. The theoretical part focuses on why suffering is an essential part of the human experience and how it is represented in art. I analyze six selected artworks from different historical periods that reflect three main forms of suffering: physical, psychological, and collective. In the empirical part, I collected data using an online questionnaire completed by 31 participants of various ages, ranging from adolescents to older adults. This allowed me to compare how different generations interpret art related to suffering. Participants responded to questions about the six artworks (the same as in the theoretical part) and shared their views on what suffering in art and everyday life means to them. I analyzed the responses both qualitatively and quantitatively to identify common patterns in perception and reflection. The results show that people tend to understand suffering in art primarily through their personal experiences and the social context they live in. So, Art emerges as a space where suffering is not only represented but also interpreted, whether through empathy, symbolic meaning, or from a critical distance. This thesis provides insight into how art can help people reflect on suffering as part of the human condition and encourages personal and emotional engagement from the viewer.
Secondary keywords:	art;suffering;pain;experience;Likovna umetnost;Trpljenje;Univerzitetna in visokošolska dela;
Type (COBISS):	Master's thesis/paper
Study programme:	0
Thesis comment:	Univ. v Ljubljani, Pedagoška fak., Likovna pedagogika
Pages:	1 spletni vir (1 datoteka PDF (99 str.))
ID:	26712160