Skladbe za klarinet Maxa Regerja

magistrska naloga

Adam Atanasov (Author), Tadej Kenig (Mentor), Urška Pompe (Co-mentor)

Abstract

Magistrska naloga Skladbe za klarinet Maxa Regerja obravnava življenje, ustvarjalni opus in pomen Maxa Regerja za klarinetni repertoar. Reger se je rodil v Brandu na Bavarskem v glasbeni družini. Skladateljsko in orgelsko izobrazbo je pridobil v Sonderhausnu ter na konservatoriju v Wiesbadnu. Svojo kariero je razvijal v različnih nemških mestih, med drugim v Weidnu, Leipzigu in Jeni, kjer je deloval kot skladatelj, pianist, pedagog in dirigent. Regerjev glasbeni slog zaznamujejo goste harmonske teksture, kontrapunkt ter zvestoba tradiciji baročne in klasične glasbe ob hkratnem vključevanju globoke poznoromantične izraznosti in spogledovanju z modernizmom. Nanj so močno vplivali skladatelji, kot so Johann Sebastian Bach, Johannes Brahms, Richard Wagner in Franz Liszt, sam pa je pomembno vplival na razvoj glasbe 20. stoletja, zlasti na ustvarjalce, kot so Paul Hindemith, Arnold Schönberg in Dmitrij Šostakovič. V nalogi je podan tudi pregled Regerjevega celotnega opusa, ki zajema dela za različne zasedbe, pri čemer posebno mesto zavzema komorna glasba. Klarinet se v Regerjevem ustvarjanju uveljavlja kot pomembno komorno glasbilo, pri čemer skladatelj izkorišča njegovo izrazno širino in tehnične možnosti, ki vsebujejo široko paleto barv tona, možnost izvajanja virtuoznih pasaž v vseh registrih in velik razpon v dinamiki. V zadnjem delu naloge analiziram Regerjeve komorne skladbe za klarinet. To so Tarantella v g-molu, Albumblatt v Es-duru, tri sonate za klarinet in klavir ter Kvintet za klarinet in godalni kvartet v A-duru. Ker Regerjevo delo predstavlja most med pozno romantiko in začetki modernizma, skladatelj pogosto piše tako, da hitro menja tonalna središča, zato je včasih težko določiti dejansko tonaliteto posameznega dela skladbe. Kadar sem pri analizah skladb naletel na tovrsten odsek skladbe, sem v tabelo vpisal tonaliteto, ki prevladuje oziroma je jasno zaznavna na začetku ali pa na koncu posameznega odseka.

Keywords

klarinet;nemški skladatelji;komorna glasba;pozna romantika;kromatika;sonate;magistrske naloge;Reger;Max;1873-1916;

Data

Language:	Slovenian
Year of publishing:	2025
Typology:	2.09 - Master's Thesis
Organization:	UL AG - Academy of Music
Publisher:	[A. Atanasov]
UDC:	785.7:780.643.1Reger M.
COBISS:	243189763
Views:	81
Downloads:	9
Average score:	0 (0 votes)
Metadata:

Other data

Secondary language:	English
Secondary title:	Compositions for clarinet by Max Reger
Secondary abstract:	This master's thesis Compositions for Clarinet by Max Reger examines the life, creative output, and significance of Max Reger for the clarinet repertoire. Reger was born in Brand, Bavaria, into a musical family. He received his education in composition and organ performance in Sondershausen and at the conservatory in Wiesbaden. He developed his career in various German cities, including Weiden, Leipzig, and Jena, where he worked as a composer, pianist, teacher, and conductor. Reger’s musical style is characterized by dense harmonic textures, intricate counterpoint, and fidelity to the traditions of Baroque and Classical music, while also incorporating the deep expressiveness of late Romanticism and an engagement with early modernist tendencies. His music was strongly influenced by composers such as Johann Sebastian Bach, Johannes Brahms, Richard Wagner, and Franz Liszt, while Reger himself had a significant impact on the development of 20th-century music, particularly influencing composers like Paul Hindemith, Arnold Schoenberg, and Dmitri Shostakovich. The thesis also provides an overview of Reger’s complete opus, encompassing works for various ensembles, with special emphasis on his chamber music. Within his chamber works, the clarinet emerges as a prominent instrument, with Reger exploring its expressive range and technical possibilities, including a wide variety of tonal colors, the ability to perform virtuosic passages across all registers, and an extensive dynamic range. In the final part of the thesis, Reger’s chamber works for clarinet are analyzed, including the Tarantella in G minor, Albumblatt in E-flat major, three Sonatas for clarinet and piano, and the Clarinet Quintet in A major. Since Reger’s compositions bridge late Romanticism and the beginnings of modernism, he often rapidly shifts tonal centers, making it difficult at times to determine the actual key of a section. In such cases during the analyses, the tables indicate the predominant key, or the key that is clearly perceptible at the beginning or end of a section.
Secondary keywords:	clarinet;chamber music;German composers;late Romanticism;chromaticism;sonatas;master's theses;
Type (COBISS):	Master's thesis/paper
Thesis comment:	Univ. v Ljubljani, Akademija za glasbo, Oddelek za pihala, trobila in tolkala
Pages:	99 str.
ID:	26854896