Barva, oblika in glasba

Abstract

Keywords

Data

Language:	Slovenian
Year of publishing:	2011
Source:	Ljubljana
Typology:	2.11 - Undergraduate Thesis
Organization:	UL PEF - Faculty of Education
Publisher:	[N. Trobec]
UDC:	37:7(043.2)
COBISS:	8975177
Views:	622
Downloads:	575
Average score:	0 (0 votes)
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Other data

Secondary language:	English
Secondary title:	Colour, form in music
Secondary abstract:	On the basis of expert literature the following B.A. thesis presents various aspects of the relation between the musical and visual language. In the theoretical part I discussed colours and sound, as well as how they influence our sensory perception. I analysed light values, presented music as an inspiration for creativity in the field of fine arts, explored the relations between these two fields of expression, looked at synesthesia and, as a curiosity, described the bouba/kiki effect. I was interested in the parallels found in creativity, the development of musical notation, and the contemporary approaches to musical notation. I also touched upon the phenomenon of the human voice and singing voices. I underlined the strong significance of the sound image, the importance of television sound, dubbing, and, last but not least, focused on an example of Slovenian video art. In the empirical part I presented my own artwork in the field of graphic design, related to the analogies of the musical and visual language. I presented three examples of music CD design, an animation, and a music video. In the pedagogical part I presented the works created at a fine arts workshop, related to the connection between sound and image. We explored the aspects of how associations between music and images are formed, our perception, and the creation of artwork with music as a source of inspiration.
Secondary keywords:	fine arts;music;graphic arts;likovna umetnost;glasba;grafika;
File type:	application/pdf
Type (COBISS):	Undergraduate thesis
Thesis comment:	Univ. Ljubljana, Pedagoška fak., Likovna pedagogika
Pages:	99 f.
Type (ePrints):	thesis
Title (ePrints):	Colour, form in music
Keywords (ePrints):	likovni jezik
Keywords (ePrints, secondary language):	visual language
Abstract (ePrints):	V diplomskem delu sem s pomočjo strokovne literature predstavila različne aspekte povezanosti glasbenega in likovnega jezika. V teoretičnem delu sem se dotaknila barve in zvoka ter njunega vpliva na naše čutno zaznavanje, obravnavala sem svetlostne vrednosti, predstavila glasbo kot vir likovnega ustvarjanja, kamor sem uvrstila odnos teh dveh jezikov, sinestezije in kot zanimivost buba/kiki efekt. Zanimale so me vzporednice v ustvarjanju, razvoj notnega zapisa in sodobni pristopi k obravnavi notacij. Kot zanimivost sem se dotaknila tudi človeškega glasu in pevskih glasov. Izpostavila sem močan element zvočne slike, pomen televizijskega zvoka, sinhronizacij in nenazadnje izpostavila primer slovenskega videoarta. V empiričnem delu sem predstavila lastna likovna dela s področja grafičnega oblikovanja navezujoč se na analogije glasbenega in likovnega jezika. Obravnavala sem tri primere oblikovanja glasbenih zgoščenk, animacijo in glasbeni video. V pedagoškem delu sem predstavila dela, ki so nastala na likovni delavnici, katera se je navezovala na povezanost zvoka in slike. S pomočjo pesmi, smo spoznavali aspekte povezovanja glasbe in slike, našega zananvanja in likovnega ustvarjanja, kjer je vir ustvarjanja glasba.
Abstract (ePrints, secondary language):	On the basis of expert literature the following B.A. thesis presents various aspects of the relation between the musical and visual language. In the theoretical part I discussed colours and sound, as well as how they influence our sensory perception. I analysed light values, presented music as an inspiration for creativity in the field of fine arts, explored the relations between these two fields of expression, looked at synesthesia and, as a curiosity, described the bouba/kiki effect. I was interested in the parallels found in creativity, the development of musical notation, and the contemporary approaches to musical notation. I also touched upon the phenomenon of the human voice and singing voices. I underlined the strong significance of the sound image, the importance of television sound, dubbing, and, last but not least, focused on an example of Slovenian video art. In the empirical part I presented my own artwork in the field of graphic design, related to the analogies of the musical and visual language. I presented three examples of music CD design, an animation, and a music video. In the pedagogical part I presented the works created at a fine arts workshop, related to the connection between sound and image. We explored the aspects of how associations between music and images are formed, our perception, and the creation of artwork with music as a source of inspiration.
Keywords (ePrints, secondary language):	visual language
ID:	8308420